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Clef: TrebleTreble
Participation: 0%
Participation: 50%-79%
Play Time: < 1:00
Unique Notes: 11 - 15
Unique Notes: 16 - 20
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SDG
Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier
SDG
0:01 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 7 6 6 100%
Bass 18 0 6 4 78%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 7 6 6 100%
Bass 18 0 6 4 78%
Bass 17 3 4 6 100%
Alto Treble 11 0 0 4 78%
Soprano Treble 11 0 0 4 78%
Bass Bass 11 0 0 4 53%
Tenor Treble 11 0 0 4 53%
 
Behold the lamb of God, Messiah Händel.
SDG
0:25 Est. Play
Time
32 Measures
1,242Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
I,
2nd 		Treble 18 0 3 8 100%
Violin
II,
2nd 		Treble 20 0 4 9 100%
Violins
I		 Treble 18 0 3 8 100%
Violins
II		 Treble 20 0 4 9 100%
Bassoon,
Bassoon		 Bass 16 0 3 8 94%
Cello Bass 16 0 3 8 94%
Contrabass Bass 17 0 3 8 94%
Viola 16 0 3 9 94%
Alto Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Treble 13 0 3 7 81%
Oboe,
Oboe		 Treble 13 0 3 7 81%
Harpsichord Treble 24 50 6 8 75%
Bass 24 36 5 8 72%
Tenor Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Treble 13 0 4 6 75%
Bass Bass 15 0 3 8 75%
 
5. Der Lindenbaum, Schubert. For low voice. Slow version (for practice). Für tiefe Stimme.
SDG
0:01 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
339. Was Gott thut, das ist wohlgethan. BWV 250.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Soprano		 Treble 9 0 1 4 100%
extra
Tenor		 Treble 10 0 1 2 100%
Soprano/Alto Treble 15 0 3 4 100%
Tenor/Bass Bass 17 0 2 4 100%
Horn
in
F		 Treble 10 0 1 4 97%
extra
Bass		 Bass 12 0 1 3 55%
Contrabass Bass 11 0 1 3 50%
extra
Alto		 Treble 11 0 2 3 50%
 
131. Herr Gott, dich loben alle wir. BWV 130/6
SDG
0:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 8 0 0 4 100%
Oboe
I		 Treble 8 0 0 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 8 0 0 4 100%
Oboe
I		 Treble 8 0 0 4 100%
Soprano Treble 8 0 0 4 100%
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 21 0 2 4 100%
Viola 8 0 0 4 100%
Violin
I		 Treble 8 0 0 4 100%
Timpani Bass 2 0 0 2 71%
C
Trumpet		 Treble 12 0 0 3 68%
Oboe
II		 Treble 8 0 2 4 50%
Violin
II		 Treble 8 0 2 4 50%
Contrabass Bass 17 0 2 3 46%
Violoncello Bass 17 0 2 3 46%