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SDG
66. So gehst du nun, mein Jesu, hin. Schemelli, J.S. Bach, BWV 500.
SDG
0:53 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 5 100%
T B Bass 15 0 5 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 5 100%
T B Bass 15 0 5 3 100%
 
38. Christ lag in Todesbanden. BWV 277.
SDG
0:58 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 23 0 7 6 100%
Bass 23 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 23 0 7 6 100%
Contrabass Bass 15 0 5 5 50%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%
 
39. Christ lag in Todesbanden. BWV 278.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
 
97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.
SDG
1:10 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
Tenor Treble 11 0 5 4 100%
Tenor/Bass Bass 21 0 10 4 100%
B♭
Trumpet		 Treble 12 11 4 8 71%
Timpani Bass 2 0 0 5 71%
Alto Treble 11 0 4 5 50%
Bass Bass 13 0 6 4 50%
Contrabass Bass 15 0 6 4 50%
Violoncello Bass 15 0 6 4 50%
 
145. Herr Jesu Christ, mein's Lebens Licht. BWV 335.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 6 4 100%
Tenor/Bass Bass 19 0 6 2 100%
Contrabass Bass 14 0 5 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 6 4 100%
Tenor/Bass Bass 19 0 6 2 100%
Contrabass Bass 14 0 5 2 50%
 
160. Herzlich thut mich verlangen (Und obgleich alle Teufel dir wolten widerstehn). BWV 153/5.
SDG
0:56 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 4 100%
Tenor/Bass Bass 20 0 7 4 100%
Contrabass Bass 15 0 6 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 4 100%
Tenor/Bass Bass 20 0 7 4 100%
Contrabass Bass 15 0 6 2 50%
 
167. Herzliebster Jesu, was hast du verbrochen (Wie wunderbarlich ist doch diese Strafe). BWV 244/46
SDG
0:36 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 4 100%
Tenor/Bass Bass 19 0 6 5 100%
Contrabass Bass 14 0 5 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 4 100%
Tenor/Bass Bass 19 0 6 5 100%
Contrabass Bass 14 0 5 4 50%
 
342. Was mein Gott will, das g'scheh' allzeit. BWV 244/25.
SDG
0:57 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%
 
63. Des heil'gen Geistes reiche Gnad'. BWV 295. Johann Sebastian Bach.
SDG
0:43 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 3 5 100%
Tenor/Bass Bass 21 0 7 6 100%
Contrabass Bass 15 0 5 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 3 5 100%
Tenor/Bass Bass 21 0 7 6 100%
Contrabass Bass 15 0 5 4 50%
 
(FOR COMPARISON) 342. Was mein Gott will, das g'scheh' allzeit (SAME FiXED TEMPO everywhere (78), SAME FERMATA SETTINGS (1.1), NO BREATHPAUSES, NO HIDDEN FERMATA)
SDG
0:49 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%
 
149. Herr, straf' mich nicht in deinem Zorn. BWV 338.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 3 6 100%
Tenor/Bass Bass 20 0 7 5 100%
Contrabass Bass 14 0 5 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 3 6 100%
Tenor/Bass Bass 20 0 7 5 100%
Contrabass Bass 14 0 5 4 50%