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SDG
It is Fulfilled!. Melody: Schemelli/Bach. English lyrics: George van Popta
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 15 0 3 7 90%
Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 15 0 3 7 90%
Bass 19 0 5 5 90%
 
35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
 
43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.
SDG
1:03 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
 
65. Die Sonn' hat sich mit ihrem Glanz. BWV 297.
SDG
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 6 5 100%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%
 
70. Du grosser Schmerzensmann, J.S. Bach, M. Janus, Adam Thebesius, BWV 300.
SDG
0:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 19 0 5 6 100%
 
11. Ach wie flüchtig, ach wie nichtig, BWV 26.6
SDG
0:32 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
Bass 26 0 8 3 100%
Bass 26 0 8 3 100%
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 26 0 8 3 100%
Contrabass Bass 21 0 6 3 50%
 
5. Ach Gott, vom Himmel sieh' darein, Schau lieber Gott, BWV 153 #1, Denicke, Bach.
SDG
0:45 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 6 3 100%
Contrabass Bass 14 0 4 3 50%
 
7. Ach Gott, vom Himmel sieh' darein, J.S. Bach, M. Luther, BWV 2#6
SDG
0:45 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 4 4 100%
Bass 20 0 6 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 4 4 100%
Bass 20 0 6 5 100%
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 20 0 6 5 100%
Contrabass Bass 14 0 4 4 50%
 
38. Christ lag in Todesbanden. BWV 277.
SDG
0:58 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 23 0 7 6 100%
Bass 23 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 23 0 7 6 100%
Contrabass Bass 15 0 5 5 50%
 
51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.
SDG
0:44 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
Contrabass Bass 14 0 4 3 50%
Alto Treble 2 0 1 1 13%
Bass Bass 2 0 1 1 7%
 
48. Christus, der uns selig macht. BWV 283. J.S. bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
Contrabass Bass 20 0 6 4 50%
Alto Treble 2 0 0 1 6%