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Composition: Duet
Participation: 0%
Participation: 1%-49%
Participation: 50%-79%
Participation: 80%-99%
Unique Notes: 11 - 15
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SDG
Rast, die Winterreise, Schubert. Sung by Gertim (SDG).
SDG
2:58 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 27 7 3 100%
Bass 14 23 3 4 100%
Singstimme Voice Treble 15 0 3 4 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 27 7 3 100%
Bass 14 23 3 4 100%
Singstimme Voice Treble 15 0 3 4 76%
 
20. Der Wegweiser, die Winterreise, Schubert. For low voice. Für tiefe Stimme.
SDG
3:52 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 49 9 8 97%
Bass 32 27 14 8 98%
Voice Treble 14 0 5 8 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 49 9 8 97%
Bass 32 27 14 8 98%
Voice Treble 14 0 5 8 82%
 
2. Die Wetterfahne, die Winterreise, Schubert.
SDG
2:09 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
 
6. Wasserflut, die Winterreise, Schubert. Piano accompaniment.
SDG
3:57 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 25 3 8 100%
Bass 15 21 4 5 100%
Voice Treble 15 0 3 8 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 25 3 8 100%
Bass 15 21 4 5 100%
Voice Treble 15 0 3 8 67%
 
52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach
SDG
0:41 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 13 0 1 5 50%
Tenor Treble 3 0 0 2 8%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%
 
184. Ich ruf' zu dir, Herr Jesu Christ. BWV 185.6.
SDG
1:04 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
Violin Treble 15 0 3 5 100%
Contrabass Bass 15 0 3 4 50%
 
67. Dir, dir, Jehova, will ich singen. BWV 299.
SDG
1:12 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 17 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 17 0 3 4 100%
Contrabass Bass 11 0 2 4 50%
Voice Treble 1 0 0 1 7%
 
198. Jesu, meine Freude. Unter deinem Schirmen, bin ich vor den Stürmen aller Feinde frei. BWV 227#3.
SDG
1:08 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 10 0 1 5 100%
Soprano/Alto Treble 15 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 10 0 1 5 100%
Soprano/Alto Treble 15 0 4 5 100%
Tenor/Bass Bass 21 1 6 4 100%
Contrabass Bass 15 0 3 4 50%
 
220. Komm heiliger Geist, Herre Gott. BWV 59/3, BWV 175/7.
SDG
1:24 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
Viola 14 0 2 5 100%
Violin Treble 16 0 4 6 100%
Contrabass Bass 14 0 3 5 50%
 
89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 14 0 3 3 49%