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SDG
Glorify Thy Name. Arrangement: Gertim (SDG)
SDG
2:13 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
 
20. Der Wegweiser, die Winterreise, Schubert. For low voice. Für tiefe Stimme.
SDG
3:52 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 49 9 8 97%
Bass 32 27 14 8 98%
Voice Treble 14 0 5 8 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 49 9 8 97%
Bass 32 27 14 8 98%
Voice Treble 14 0 5 8 82%
 
3. Gefrorne Tränen, die Winterreise, Schubert
SDG
2:14 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
 
2. Die Wetterfahne, die Winterreise, Schubert.
SDG
2:09 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 14 11 6 81%
Bass 27 35 9 5 99%
Voice,
Vocal		 Treble 15 0 6 5 80%
 
Kom mee naar buiten allemaal (canon / kinderlied), Andries Hartsuiker, Dutch children song, Come let us go outside to search the oriole
SDG
0:49 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 3 4 96%
Treble 10 0 3 4 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 3 4 96%
Treble 10 0 3 4 96%
 
80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).
SDG
0:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
 
42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
Contrabass Bass 17 0 4 5 46%
Alto Treble 3 0 0 2 6%
 
52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach
SDG
0:41 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 13 0 1 5 50%
Tenor Treble 3 0 0 2 8%
 
36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.
SDG
1:59 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 7 100%
Tenor/Bass Bass 26 0 8 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 7 100%
Tenor/Bass Bass 26 0 8 7 100%
Contrabass Bass 19 0 6 7 50%
Soprano Treble 2 0 0 1 3%
 
De herdertjes lagen bij nachte, by Patrick Hopper (with approval)
SDG
2:59 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
SOP ALT Treble 20 0 6 4 99%
TEN BAS Bass 22 0 4 4 80%
 
3. Gefrorne Tränen. Winterreise Schubert (only piano; accompaniment)
SDG
2:14 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
 
48. Christus, der uns selig macht. BWV 283. J.S. bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
Contrabass Bass 20 0 6 4 50%
Alto Treble 2 0 0 1 6%
 
23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.
SDG
1:11 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 4 100%
Tenor/Bass Bass 19 0 5 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 4 100%
Tenor/Bass Bass 19 0 5 4 100%
Contrabass Bass 17 0 4 3 50%
Tenor Treble 2 0 0 2 4%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%
 
20. Als der gütige Gott, BWV 264, Johann Sebastian Bach
SDG
0:30 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 6 100%
Tenor/Bass Bass 16 0 2 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 6 100%
Tenor/Bass Bass 16 0 2 7 100%
Contrabass Bass 10 0 1 5 50%
Alto Treble 3 0 0 4 18%
 
212. In dich hab' ich gehoffet, Herr. BWV 52 #6
SDG
0:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 11 0 1 4 100%
Soprano/Alto Treble 12 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 11 0 1 4 100%
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 17 0 2 6 100%
Contrabass Bass 10 0 1 5 48%
 
155. Herzlich lieb hab ich Dich, o Herr. BWV 149/7.
SDG
1:24 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 6 100%
Tenor/Bass Bass 20 0 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 6 100%
Tenor/Bass Bass 20 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
C
Trumpet		 Treble 7 5 0 3 10%