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Participation: 80%-99%
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Unique Durations: > 9
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SDG
Panis Angelicus, César Franck.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
De herdertjes lagen bij nachte. Dutch Christmas song. Doesburg sampleset. Arrangement: Bernard Greenberg (BSG).
SDG
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
lh Bass 9 3 2 3 100%
Organ Treble 14 10 3 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
lh Bass 9 3 2 3 100%
Organ Treble 14 10 3 4 100%
Pedal Bass 12 0 2 3 100%
Pedal
16'		 Bass 12 0 2 3 100%
S A Treble 14 0 3 4 88%
T B Bass 17 0 4 3 88%
 
Waken! Christian children, Christmas carol.
SDG
0:44 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 8 0 1 3 100%
Manual
II		 Bass 6 0 0 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 8 0 1 3 100%
Manual
II		 Bass 6 0 0 4 100%
Pedal Bass 12 0 2 5 100%
S A Treble 8 0 1 3 67%
T B Bass 14 0 2 3 67%
 
5. Der Lindenbaum, die Winterreise, Schubert, original setting.
SDG
5:24 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
Abba, Vader, U alleen, U behoor ik toe. Abba Father, I belong to You alone. Abba Father let me be yours and yours alone...
SDG
1:30 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 2 3 50%
Bass 10 0 3 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 2 3 50%
Bass 10 0 3 3 100%
Soprano/Alto Treble 12 0 1 3 100%
Tenor/Bass Bass 16 0 4 3 100%
Violin Treble 9 0 0 3 100%
Contrabass Bass 9 0 2 3 50%
Viola 7 0 1 3 50%
 
Panis Angelicus, Original. César Franck. Best with headphones on! Het beste met koptelefoon/hoofdtelefoon op te beluisteren.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
Precious Lord take my hand
SDG
0:44 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Violoncello Bass 9 0 1 4 100%
Contrabass Bass 10 0 2 3 50%
Bass Bass 12 0 2 3 45%
 
De herdertjes lagen bij nachte, oud-Hollands kerstlied. Christmas, Kerst. Old-Dutch Christmas song/carol, ORGAN version, one stanza
SDG
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
lh Bass 9 3 2 3 100%
Organ Treble 14 10 3 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
lh Bass 9 3 2 3 100%
Organ Treble 14 10 3 4 100%
Pedal Bass 12 0 2 3 100%
Pedal
16'		 Bass 12 0 2 3 100%
S A Treble 14 0 3 4 88%
T B Bass 17 0 4 3 88%
 
338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
Bass 14 0 1 4 100%
Bass 14 0 1 4 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 14 0 1 4 100%
Contrabass Bass 9 0 1 3 50%
 
19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.
SDG
0:41 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 19 1 4 6 100%
Bass 19 1 4 6 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 19 1 4 6 100%
Contrabass Bass 15 0 2 3 50%
 
8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
Bass 18 0 3 2 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 13 0 2 2 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 11 0 2 2 50%
 
25. Auf meinen lieben Gott, J.S. Bach, BWV 148.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
Bass 15 0 3 5 100%
Bass 15 0 3 5 100%
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 15 0 3 5 100%
Contrabass Bass 11 0 2 3 50%
 
Jesus, the very thought of Thee. Tune: ST. AGNES (Dykes), or sung on 'calm on the listening ear of night' (Christmas hymn)
SDG
0:34 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 3 100%
Treble 10 0 1 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 3 100%
Treble 10 0 1 3 100%
Bass 12 0 1 3 100%
Bass 12 0 1 3 100%
Soprano Treble 7 0 0 3 100%
Soprano/Alto1 Treble 10 0 1 3 100%
Tenor/Bass1 Bass 12 0 1 3 100%
Bass Bass 9 0 0 3 50%