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SDG

Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Panis Angelicus, César Franck.

SDG

3:39	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
Organ		12	6	3	5	80%
Harp		21	39	5	2	60%
		35	41	10	2	68%
Voice		8	0	1	7	67%
		8	0	1	7	67%
		8	0	1	7	67%
Violoncello		11	0	2	8	59%

Graduale (Locus iste), WAB 23 # 4, Anton Bruckner.

SDG

2:42	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
Soprano		16	0	3	8	98%
Basso		17	0	5	6	81%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		10	0	1	4	94%
Soprano II		11	0	3	5	88%
Tenore II		14	0	3	6	88%
Basso		13	0	1	4	86%
Alto		10	0	2	4	82%
TENORE I		9	0	1	5	76%

Cantique de Jean Racine. Gabriel Fauré. Op. 11. Giubiasco sampleset.

SDG

4:35	Est. Play Time
89	Measures
	1,103Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
Pedal		17	0	5	4	87%
Bass		16	0	5	8	76%
Tenor		15	0	5	6	73%
Alto		14	0	5	6	64%
Soprano		14	0	3	6	57%

Panis Angelicus, Original. César Franck. Best with headphones on! Het beste met koptelefoon/hoofdtelefoon op te beluisteren.

SDG

3:39	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
Organ		12	6	3	5	80%
Harp		21	39	5	2	60%
		35	41	10	2	68%
Voice		8	0	1	7	67%
		8	0	1	7	67%
		8	0	1	7	67%
Violoncello		11	0	2	8	59%

Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.

SDG

4:20	Est. Play Time
93	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
Basso II		13	0	5	4	97%
Basso I.		9	0	3	5	96%
Tenore I		11	0	2	6	96%
Tenore II		10	0	2	4	96%

5. Der Lindenbaum, die Winterreise, Schubert, original setting.

SDG

5:24	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Right Hand		27	32	11	10	100%
Piano, Left Hand		23	23	4	10	89%
Voice		11	0	3	7	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Right Hand		27	32	11	10	100%
Piano, Left Hand		23	23	4	10	89%
Voice		11	0	3	7	76%

Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Graduale, Locus iste, Anton Bruckner, WAB 23; á 4.

SDG

2:42	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenore		14	0	4	8	100%
Alto		14	0	4	8	98%
Soprano		16	0	3	8	98%
Basso		17	0	5	6	81%

Cantique de Jean Racine, Gabriël/Gabriel Fauré, with GrandOrgue recording, sampleset Giubiasco. Best version of the ones I uploaded! Listen with headphones on!

SDG

4:35	Est. Play Time
89	Measures
	1,062Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
Pedal		17	0	5	4	87%
Bass		16	0	5	8	76%
Tenor		15	0	5	6	73%
Alto		14	0	5	6	64%
Soprano		14	0	3	6	57%

O Heer, mijn God, wanneer ik in verwond'ring. Hoe groot zijt Gij. How great Thou art. Arrangement: Gertim (SDG).

SDG

3:14	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	2	4	6	95%
Tenor/Bass		21	0	7	6	95%
Bass Guitar		15	0	3	6	50%
Contrabass		15	0	3	6	50%

Nimm mich, o Herr, in deinen Hut, Josef Rheinberger, WoO 51.

SDG

2:58	Est. Play Time
66	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II		21	1	7	7	100%
Violine I		24	0	9	7	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II		21	1	7	7	100%
Violine I		24	0	9	7	98%
Cello Kontrabass		24	1	9	7	97%
Viola		21	0	7	7	95%
Alt		11	0	2	6	65%
Bass		14	0	3	6	65%
Sopran		11	0	1	4	65%
Tenor		13	0	4	6	65%

Nimm mich, o Herr, in deinen Hut, Josef Rheinberger.

SDG

2:58	Est. Play Time
66	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II		21	1	7	7	100%
Violine I		24	0	9	7	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine II		21	1	7	7	100%
Violine I		24	0	9	7	98%
Cello Kontrabass		24	1	9	7	97%
Viola		21	0	7	7	95%
Alt		11	0	2	6	65%
Bass		14	0	3	6	65%
Sopran		11	0	1	4	65%
Tenor		13	0	4	6	65%

Tuba mirum spargens sonum, Requiem Mozart, KV 626.

SDG

3:26	Est. Play Time
63	Measures
	1,101Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso		21	0	7	6	90%
Violino I.		25	1	10	5	89%
View all 24 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso		21	0	7	6	90%
Violino I.		25	1	10	5	89%
Violino II.		18	2	5	5	89%
Contrabass		20	0	6	6	83%
Viola I, II.		19	7	6	5	79%
Tenore solo		13	0	5	7	45%
Basso solo		18	0	5	8	41%
Soprano solo		9	0	2	6	32%
Tenor		13	0	5	7	30%
		13	0	5	7	30%
		13	0	5	7	30%
Alto Solo		12	0	4	7	27%
		12	0	4	6	11%
Bass		16	0	3	8	25%
		16	0	3	8	25%
		16	0	3	8	25%
Trombone		16	0	4	6	25%
		16	0	4	6	25%
Trombone [tenore] solo		16	0	4	6	25%
Soprano		9	0	2	5	16%
		9	0	2	5	16%
		9	0	2	5	16%
Alto		12	0	4	6	11%
		12	0	4	6	11%

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