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SDG
Enigma variations, Nimrod, Eward Elgar, Lux Aeterna
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Abendlied, Josef Rheinberger.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.
SDG
4:20 Est. Play
Time
93 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
forte		 Treble 18 37 4 5 97%
Bass 25 57 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
forte		 Treble 18 37 4 5 97%
Bass 25 57 7 4 100%
Basso
II		 Bass 13 0 5 4 97%
Basso
I. 		Bass 9 0 3 5 96%
Tenore
I 		11 0 2 6 96%
Tenore
II		 10 0 2 4 96%
 
Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.
SDG
3:44 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
I		 Treble 14 0 2 9 100%
Alto
II		 Treble 12 0 2 9 98%
Tenor
I		 Treble 14 0 2 7 95%
Soprano
II		 Treble 14 0 2 8 93%
Tenor
II		 Treble 12 0 2 9 93%
Bass
I		 Bass 12 0 1 9 91%
Soprano
I		 Treble 15 0 2 9 91%
Bass
II		 Bass 14 1 1 8 89%
 
Zu Bethlehem geboren, arrangement Gertim, GrandOrgue recording, sampleset Giubiasco by Piotr Grabowski. Arrangement: Gertim.
SDG
0:55 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
Pedal Bass 10 0 1 5 100%
S A Treble 12 0 1 6 90%
T B Bass 15 0 2 6 90%
 
'k Stel mijn vertrouwen op de Heer mijn God
SDG
1:16 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 2 3 100%
Bass 12 0 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 2 3 100%
Bass 12 0 3 3 100%
Voice Treble 8 0 2 3 80%
Treble 8 0 2 3 80%
 
In Bethlehem geboren, Dutch version, Nederlands. Arrangement: Gertim. Based on a German folk song (, but adjusted here)
SDG
0:55 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Manual
I		 Treble 12 0 1 6 100%
Manual
II		 Bass 7 0 1 5 100%
Pedal Bass 10 0 1 5 100%
S A Treble 12 0 1 6 90%
T B Bass 15 0 2 6 90%