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Composition: Ensemble
Unique Durations: 1-3
Unique Accidentals: 3-4
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SDG
Het is volbracht! (variant III). Own composition.
SDG
0:45 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 3 3 100%
Bass 17 0 2 3 100%
Contrabass Bass 12 0 1 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 3 3 100%
Bass 17 0 2 3 100%
Contrabass Bass 12 0 1 3 50%
 
Die Himmel erzählen die Ehre Gottes, die Schöpfung, the creation, Haydn.
SDG
6:50 Est. Play
Time
197 Measures
4,797Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 5 8 7 91%
Bassi Bass 25 5 7 7 91%
View all 33 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 5 8 7 91%
Bassi Bass 25 5 7 7 91%
Violin
I		 Treble 29 6 7 5 87%
Violin
I
(rep)		 Treble 29 6 7 5 87%
Violin
II		 Treble 25 13 8 6 85%
Viola 22 0 6 7 70%
Oboe
II		 Treble 18 0 4 6 70%
(Clarinet
repeat
Oboe
I)		 Treble 14 0 3 6 69%
Oboe
I
e
Clarinetti		 Treble 14 0 3 6 69%
Flauti Treble 22 1 6 6 67%
Fagotti Bass 26 3 8 7 64%
Basso Bass 18 0 6 6 63%
Basso
II		 Bass 18 0 6 6 63%
Basso
III		 Bass 18 0 6 6 63%
Tenore Bass 16 0 4 6 63%
Tenore
II		 16 0 4 6 63%
Tenore
III		 16 0 4 6 63%
Alto Treble 15 0 5 6 59%
Alto
II		 15 0 5 6 59%
Alto
III		 15 0 5 6 59%
Soprano Treble 10 0 1 6 59%
Soprano
II 		10 0 1 6 59%
Soprano
III		 10 0 1 6 59%
Contra
Fagotti		 Bass 20 0 5 7 59%
Trombone
III		 Bass 24 0 6 7 53%
Corni
in
C (French
horns)		 Treble 9 6 0 5 47%
Clarini
in
C (Trumpets)		 Treble 10 7 0 5 44%
Timpano
in
C		 Bass 2 0 0 3 35%
Trombone Treble 10 0 2 4 30%
Trombone
II		 Treble 12 0 0 5 30%
Soprano
Solo
(Gabriel)		 Treble 13 0 3 3 24%
Basso
solo
(Raphael)		 Bass 9 0 2 4 23%
Tenore
Solo
(Uriel)		 Bass 10 0 1 4 23%
 
'k Stel mijn vertrouwen op de Heer mijn God
SDG
1:16 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 2 3 100%
Bass 12 0 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 2 3 100%
Bass 12 0 3 3 100%
Voice Treble 8 0 2 3 80%
Treble 8 0 2 3 80%
 
18. Es glänzet der Christen inwendiges Leben. BWV 456.
SDG
1:40 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 97%
Tenor/Bass Bass 18 0 4 6 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 97%
Tenor/Bass Bass 18 0 4 6 97%
Contrabass Bass 18 0 3 3 50%
Violoncello Bass 18 0 3 3 50%
 
3. Ach Gott und Herr, BWV 255.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 18 0 3 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 13 0 2 2 50%
 
11. Ach wie flüchtig, ach wie nichtig, BWV 26.6
SDG
0:32 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
Bass 26 0 8 3 100%
Bass 26 0 8 3 100%
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 26 0 8 3 100%
Contrabass Bass 21 0 6 3 50%
 
5. Ach Gott, vom Himmel sieh' darein, Schau lieber Gott, BWV 153 #1, Denicke, Bach.
SDG
0:45 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 6 3 100%
Contrabass Bass 14 0 4 3 50%
 
51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.
SDG
0:44 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
Contrabass Bass 14 0 4 3 50%
Alto Treble 2 0 1 1 13%
Bass Bass 2 0 1 1 7%
 
14. Allein Gott in der Höh' sei Ehr', BWV 112.5.
SDG
0:53 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
Bass 18 0 5 4 100%
Bass 18 0 5 4 100%
Violin Treble 8 0 2 4 50%
Treble 6 0 1 5 100%
Horn
in
F		 Treble 8 0 0 5 100%
Oboe Treble 6 0 1 5 100%
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 18 0 5 4 100%
Viola 9 0 1 4 100%
Oboe
col
Alto		 Treble 9 0 2 4 70%
Contrabass Bass 12 0 4 2 50%
Violoncello Bass 12 0 4 2 50%
 
Ein' feste Burg ist unser Gott. The three compared in parallel view. This score has no sound. It is Just for visual comparison.
SDG
0:59 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Bass 20 0 3 3 100%
Bass 17 0 3 2 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Bass 20 0 3 3 100%
Bass 17 0 3 2 97%
74. Treble 13 0 2 4 100%
76. Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
75. Treble 13 0 2 3 97%
 
87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
Contrabass Bass 16 0 3 3 51%
Violoncello Bass 16 0 3 3 51%
 
90. Es ist das Heil uns kommen her. BWV 117 #4/9
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
Contrabass Bass 18 0 4 3 48%
Violoncello Bass 18 0 4 3 48%