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Measures: 20 - 35
Measures: 35 - 60
Participation: 50%-79%
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SDG
Legends of the Infancy, Christmas carol, MuseScore simulated organ.
SDG
0:45 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 10 0 0 5 51%
Bass 9 0 0 5 100%
Bass 9 0 0 5 100%
B♭
Clarinet		 Treble 13 0 3 5 100%
C
Trumpet		 Treble 13 0 3 5 100%
English
Horn		 Bass 15 0 0 5 100%
Flute Treble 13 0 3 5 100%
Oboe Bass 9 0 0 5 100%
Organ
LH		 Bass 9 0 0 5 100%
Organ
RH		 Treble 13 0 3 5 100%
Piccolo Bass 9 0 0 5 100%
Picolo Treble 13 0 3 5 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Voice Treble 13 0 3 5 88%
Treble 13 0 0 5 88%
Contrabassoon Bass 10 0 0 5 51%
Double
Bass		 Bass 10 0 0 5 51%
Pedal Bass 10 0 0 5 51%
pedal
Flute		 Bass 10 0 0 5 51%
 
O holy night, the stars are brightly shining, Cantique de Noel.
SDG
4:01 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 5 3 6 100%
Tenor/Bass Bass 15 6 2 6 100%
Contrabass Bass 10 2 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 5 3 6 100%
Tenor/Bass Bass 15 6 2 6 100%
Contrabass Bass 10 2 1 6 50%
 
As with gladness men of old, christmas carol
SDG
0:32 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 10 0 0 3 100%
Contrabass Bass 8 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 10 0 0 3 100%
Contrabass Bass 8 0 0 3 50%
 
24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.
SDG
1:23 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
Turn your eyes upon Jesus.
SDG
1:13 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 5 100%
Bass 15 0 4 5 100%
Contrabass Bass 11 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 5 100%
Bass 15 0 4 5 100%
Contrabass Bass 11 0 3 5 50%
 
Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier
SDG
0:01 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 7 6 6 100%
Bass 18 0 6 4 78%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 7 6 6 100%
Bass 18 0 6 4 78%
Bass 17 3 4 6 100%
Alto Treble 11 0 0 4 78%
Soprano Treble 11 0 0 4 78%
Bass Bass 11 0 0 4 53%
Tenor Treble 11 0 0 4 53%
 
22. Gib dich zufrieden und sei stille. Schemelli Gesangbuch. Inner voices: Gertim
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 6 100%
Tenor/Bass Bass 18 0 4 6 100%
Contrabass Bass 16 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 6 100%
Tenor/Bass Bass 18 0 4 6 100%
Contrabass Bass 16 0 3 4 50%
 
Heer kom terug. Composed by Gertim (SDG)
SDG
0:45 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 17 0 1 5 100%
Contrabass Bass 13 0 0 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 17 0 1 5 100%
Contrabass Bass 13 0 0 5 50%
 
Weet je dat de Vader je kent? Een parel in Gods hand, Elly en Rikkert. SATB arrangement, Gertim (SDG). Sampleset: Giubiasco.
SDG
0:34 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 9 0 0 5 100%
Recorder Bass 8 0 2 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 9 0 0 5 100%
Recorder Bass 8 0 2 5 100%
Soprano/Alto Treble 9 0 0 5 100%
Tenor/Bass Bass 14 0 2 5 100%
Contrabass Bass 6 0 0 5 50%
 
Abendlied, Josef Rheinberger.
SDG
3:09 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
I		 Treble 10 0 1 4 94%
Soprano
II		 Treble 11 0 3 5 88%
Tenore
II		 Treble 14 0 3 6 88%
Basso Bass 13 0 1 4 86%
Alto Treble 10 0 2 4 82%
TENORE
I		 Treble 9 0 1 5 76%
 
Thine Is the Glory, Händel, a Toi la gloire o ressuscité, U zij de glorie opgestane Heer, Judas Maccabeus.
SDG
0:57 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 2 6 100%
T B Bass 13 0 3 6 100%
Bass Bass 11 0 2 5 63%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 2 6 100%
T B Bass 13 0 3 6 100%
Bass Bass 11 0 2 5 63%