Active Filters:
Measures: < 20
Play Time: < 1:00
Unique Durations: 1-3
Unique Notes: > 20
Clear All Filters

Uploaders

SDG
11. Ach wie flüchtig, ach wie nichtig, BWV 26.6
SDG
0:32 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
Bass 26 0 8 3 100%
Bass 26 0 8 3 100%
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 26 0 8 3 100%
Contrabass Bass 21 0 6 3 50%
 
45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.
SDG
0:56 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
 
26. Auf meinen lieben Gott (Wo soll ich fliehen hin), BWV 89.6. Johann Sebastian Bach.
SDG
0:37 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 24 0 4 3 100%
Contrabass Bass 17 0 3 3 52%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 24 0 4 3 100%
Contrabass Bass 17 0 3 3 52%
 
216. Ist Gott mein Schild und Helfersmann. BWV 85 #6.
SDG
0:45 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 5 100%
Tenor/Bass Bass 21 0 4 2 100%
Contrabass Bass 14 0 2 2 52%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 5 100%
Tenor/Bass Bass 21 0 4 2 100%
Contrabass Bass 14 0 2 2 52%
 
87. Es ist das Heil uns kommen her (Ob sich's anliess, als wollt' er nicht). BWV 9.7
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 25 0 8 3 100%
Contrabass Bass 16 0 3 3 51%
Violoncello Bass 16 0 3 3 51%
 
101. Freu' dich sehr , o meine Seele. BWV 25/6
SDG
0:52 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 21 0 6 3 100%
Contrabass Bass 14 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 21 0 6 3 100%
Contrabass Bass 14 0 3 3 50%
 
56. Das alte Jahr vergangen ist. BWV 289.
SDG
0:01 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 7 2 100%
Tenor/Bass Bass 25 0 10 2 100%
Contrabass Bass 18 0 6 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 7 2 100%
Tenor/Bass Bass 25 0 10 2 100%
Contrabass Bass 18 0 6 2 50%
 
(FOR COMPARISON) 342. Was mein Gott will, das g'scheh' allzeit (SAME FiXED TEMPO everywhere (78), SAME FERMATA SETTINGS (1.1), NO BREATHPAUSES, NO HIDDEN FERMATA)
SDG
0:49 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%
 
342. Was mein Gott will, das g'scheh' allzeit. BWV 244/25.
SDG
0:57 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 3 100%
Tenor/Bass Bass 21 0 7 2 100%
Contrabass Bass 14 0 5 2 50%