Play Along Piano

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SDG

Dear Lord and Father of Mankind, TUNE: REPTON, Parry, Whittier

SDG

0:01	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	7	6	6	100%
		18	0	6	4	78%
		17	3	4	6	100%
Alto		11	0	0	4	78%
Soprano		11	0	0	4	78%
Bass		11	0	0	4	53%
Tenor		11	0	0	4	53%

22. Gib dich zufrieden und sei stille. Schemelli Gesangbuch. Inner voices: Gertim

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	4	6	100%
Tenor/Bass		18	0	4	6	100%
Contrabass		16	0	3	4	50%

Heer kom terug. Composed by Gertim (SDG)

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		17	0	1	5	100%
Contrabass		13	0	0	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	5	100%
Tenor/Bass		17	0	1	5	100%
Contrabass		13	0	0	5	50%

Thine Is the Glory, Händel, a Toi la gloire o ressuscité, U zij de glorie opgestane Heer, Judas Maccabeus.

SDG

0:57	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	6	100%
T B		13	0	3	6	100%
Bass		11	0	2	5	63%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	6	100%
T B		13	0	3	6	100%
Bass		11	0	2	5	63%

Waken! Christian children, Christmas carol.

SDG

0:44	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
Pedal		12	0	2	5	100%
S A		8	0	1	3	67%
T B		14	0	2	3	67%

Voor uw liefde Heer Jezus dank U wel. Let us break bread together on our knees. Arrangement: Gertim

SDG

0:35	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		17	0	4	5	100%
Contrabass		13	0	3	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		17	0	4	5	100%
Contrabass		13	0	3	5	50%

Wat zal de wereld mooi zijn op die dag. Arrangement: Gertim (SDG)

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		15	0	3	4	100%
Contrabass		12	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		15	0	3	4	100%
Contrabass		12	0	3	4	50%

32. Befiehl du deine Wege, J.S. Bach, BWV 272.

SDG

0:55	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		22	0	7	6	100%
		22	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	7	6	100%
Contrabass		16	0	5	5	50%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		15	0	2	5	50%

Jesus hat mich frei gemacht. Arrangement: Gertim

SDG

0:49	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		14	0	1	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		14	0	1	3	52%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		19	1	4	6	100%
		19	1	4	6	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		19	1	4	6	100%
Contrabass		15	0	2	3	50%

23. Gib dich zufrieden und sei stille. Schemelli. Inner voices: Gertim. BWV 512.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
		18	0	3	2	100%
		18	0	3	2	100%
Soprano/Alto		13	0	2	2	100%
Tenor/Bass		18	0	3	2	100%
Contrabass		11	0	2	2	50%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		15	0	3	5	100%
		15	0	3	5	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		15	0	3	5	100%
Contrabass		11	0	2	3	50%

Behold the lamb of God, Messiah Händel.

SDG

0:25	Est. Play Time
32	Measures
	1,242Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd		18	0	3	8	100%
Violin II, 2nd		20	0	4	9	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd		18	0	3	8	100%
Violin II, 2nd		20	0	4	9	100%
Violins I		18	0	3	8	100%
Violins II		20	0	4	9	100%
Bassoon, Bassoon		16	0	3	8	94%
Cello		16	0	3	8	94%
Contrabass		17	0	3	8	94%
Viola		16	0	3	9	94%
Alto		13	0	3	6	81%
		13	0	3	6	81%
		13	0	3	6	81%
Soprano		13	0	3	7	81%
		13	0	3	7	81%
		13	0	3	7	81%
Oboe, Oboe		13	0	3	7	81%
Harpsichord		24	50	6	8	75%
		24	36	5	8	72%
Tenor		13	0	4	6	75%
		13	0	4	6	75%
		13	0	4	6	75%
Bass		15	0	3	8	75%

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