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SDG
6. Wasserflut, die Winterreise, Schubert. Piano accompaniment.
SDG
3:57 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 25 3 8 100%
Bass 15 21 4 5 100%
Voice Treble 15 0 3 8 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 25 3 8 100%
Bass 15 21 4 5 100%
Voice Treble 15 0 3 8 67%
 
5. Der Lindenbaum, Schubert. For low voice. Slow version (for practice). Für tiefe Stimme.
SDG
0:01 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
Libera me, Domine, de morte aeterna. Gabriel Fauré.
SDG
1:09 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
 
Die Himmel erzählen die Ehre Gottes, die Schöpfung, the creation, Haydn.
SDG
6:50 Est. Play
Time
197 Measures
4,797Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 5 8 7 91%
Bassi Bass 25 5 7 7 91%
View all 33 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 5 8 7 91%
Bassi Bass 25 5 7 7 91%
Violin
I		 Treble 29 6 7 5 87%
Violin
I
(rep)		 Treble 29 6 7 5 87%
Violin
II		 Treble 25 13 8 6 85%
Viola 22 0 6 7 70%
Oboe
II		 Treble 18 0 4 6 70%
(Clarinet
repeat
Oboe
I)		 Treble 14 0 3 6 69%
Oboe
I
e
Clarinetti		 Treble 14 0 3 6 69%
Flauti Treble 22 1 6 6 67%
Fagotti Bass 26 3 8 7 64%
Basso Bass 18 0 6 6 63%
Basso
II		 Bass 18 0 6 6 63%
Basso
III		 Bass 18 0 6 6 63%
Tenore Bass 16 0 4 6 63%
Tenore
II		 16 0 4 6 63%
Tenore
III		 16 0 4 6 63%
Alto Treble 15 0 5 6 59%
Alto
II		 15 0 5 6 59%
Alto
III		 15 0 5 6 59%
Soprano Treble 10 0 1 6 59%
Soprano
II 		10 0 1 6 59%
Soprano
III		 10 0 1 6 59%
Contra
Fagotti		 Bass 20 0 5 7 59%
Trombone
III		 Bass 24 0 6 7 53%
Corni
in
C (French
horns)		 Treble 9 6 0 5 47%
Clarini
in
C (Trumpets)		 Treble 10 7 0 5 44%
Timpano
in
C		 Bass 2 0 0 3 35%
Trombone Treble 10 0 2 4 30%
Trombone
II		 Treble 12 0 0 5 30%
Soprano
Solo
(Gabriel)		 Treble 13 0 3 3 24%
Basso
solo
(Raphael)		 Bass 9 0 2 4 23%
Tenore
Solo
(Uriel)		 Bass 10 0 1 4 23%
 
5. Der Lindenbaum, die Winterreise, Schubert. Only piano (for accompaniment)
SDG
5:24 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
De herdertjes lagen bij nachte, by Patrick Hopper (with approval)
SDG
2:59 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
SOP ALT Treble 20 0 6 4 99%
TEN BAS Bass 22 0 4 4 80%
 
Libera me, Domine. Sung by me, Gertim (SDG). Requiem Mozart.
SDG
1:09 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
 
3. Gefrorne Tränen. Winterreise Schubert (only piano; accompaniment)
SDG
2:14 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 46 7 3 97%
Bass 28 12 11 4 100%
Voice,
Vocal		 Treble 17 0 5 5 73%
 
'k Aanbid de macht van uwe liefde, Dmitri Bortnjanski. Russian Orthodox style setting, by Gertim (SDG).
SDG
1:31 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 11 0 0 5 100%
T/B Bass 21 16 2 5 100%
Tenor Treble 9 0 0 4 100%
 
J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..
SDG
3:53 Est. Play
Time
78 Measures
3,570Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
View all 23 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
Continuo Bass 25 0 9 3 100%
Contrabass Bass 25 0 9 3 100%
Contrabassoon Bass 25 0 9 3 100%
Oboe
I.		 Treble 24 0 8 5 100%
Oboe
II.		 Treble 22 0 8 4 100%
Violino
I		 Treble 25 0 8 5 100%
Violino
II.		 Treble 21 0 7 5 100%
Viola 18 0 5 4 97%
Alto Treble 13 0 4 6 42%
Treble 13 0 4 6 42%
13 0 4 6 42%
Tenor Treble 13 0 4 5 40%
Treble 13 0 4 5 40%
Tenore 13 0 4 5 40%
Soprano Treble 6 0 0 2 37%
Treble 6 0 0 2 37%
6 0 0 2 37%
Bass Bass 20 0 6 4 37%
Bass 20 0 6 4 37%
Basso Bass 20 0 6 4 37%
Tromba
da
tirarsi col
soprano		 6 0 0 2 37%
 
Die Krähe, die Winterreise, Schubert, D.911, No.15 with own vocal recording, sung by Gertim (SDG).
SDG
1:57 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 19 10 4 100%
Treble 30 23 13 4 100%
Voice Treble 16 0 4 7 70%
 
97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.
SDG
1:10 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
Tenor Treble 11 0 5 4 100%
Tenor/Bass Bass 21 0 10 4 100%
B♭
Trumpet		 Treble 12 11 4 8 71%
Timpani Bass 2 0 0 5 71%
Alto Treble 11 0 4 5 50%
Bass Bass 13 0 6 4 50%
Contrabass Bass 15 0 6 4 50%
Violoncello Bass 15 0 6 4 50%
 
Panis Angelicus. Transposed to A major (on request).
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%