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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		20	30	8	6	92%
		24	0	8	5	97%
Continuo.		24	0	8	5	97%
Violone		24	0	8	5	97%
Evangelist.		16	0	6	4	79%
Violino I.		15	0	5	6	69%
		18	0	5	5	67%
Viola.		18	0	5	6	69%
Basso.		17	0	5	4	63%
Alto.		13	0	4	3	42%
Bassoon		21	0	6	4	42%
Soprano.		13	0	5	2	39%
Flauto traverso II.		12	0	2	3	29%
Oboe II.		13	0	2	3	29%
Flauto traverso I.		12	0	1	3	26%
Oboe I.		12	0	1	3	26%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
Oboe I.		19	0	4	9	72%
Viola.		18	0	4	7	49%
Violino I.		21	0	3	9	49%
Violino II.		19	0	4	8	49%
Violoncello.		19	0	3	5	49%
Violone.		19	0	3	5	49%
Corno I.		10	0	1	8	48%
Corno II.		8	0	0	8	46%
Fagotto.		21	0	5	5	45%
Oboe II.		12	0	2	7	45%
Oboe III.		9	0	1	7	21%
Violino piccolo.		13	0	2	9	21%

Requiem in D Minor, K. 626, III. Sequentia: Rex Tremendae By W. A. Mozart

Samuel Ricke

2:26	Est. Play Time
22	Measures
	1,069Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		42	60	13	8	100%
Viola.		21	1	7	5	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		42	60	13	8	100%
Viola.		21	1	7	5	100%
Violino I.		25	4	6	5	100%
Violino II.		24	4	7	5	100%
Violoncello, Basso ed Organo.		34	0	11	6	100%
Trombone I.		11	0	2	8	88%
Trombone II.		13	0	3	5	88%
Trombone III.		14	0	2	8	88%
Alto.		10	0	2	9	86%
Basso.		13	0	2	8	86%
Soprano.		12	0	3	8	86%
Tenore.		11	0	3	8	86%
Corni di Bassetto in F.		16	1	4	8	78%
Fagotti.		18	0	5	8	75%
Timpani in D.A.		4	0	0	6	48%
Trombe in D.		4	3	0	6	42%

Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"

Samuel Ricke

3:28	Est. Play Time
94	Measures
	2,567Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
Bassoon		20	0	2	8	100%
Violoncellos		21	0	2	8	100%
Violas		16	0	2	8	99%
Violins		20	0	1	8	98%
		21	0	3	8	96%
Contrabasses		17	0	2	8	98%
Tenor		13	0	1	8	96%
Bass		14	0	2	8	95%
Contralto		13	0	2	8	91%
Oboe		12	0	0	8	88%
Soprano		12	0	0	8	88%
D Trumpet		11	1	1	8	73%
Timpani		2	0	0	8	50%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Bach: Ich hatte viel Bekümmernis, BWV 21 - XI. Das Lamm, das erwürget ist

Samuel Ricke

3:27	Est. Play Time
68	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
Organo e Continuo.		23	0	7	7	100%
Violone.		23	0	7	8	100%
Basso.		19	0	6	5	97%
Tenore.		17	0	4	6	96%
Alto.		15	0	3	6	88%
Soprano.		17	0	4	6	85%
Violino I.		20	0	4	7	78%
Oboe.		17	0	3	7	76%
Viola.		22	0	5	7	76%
Violino II.		21	0	5	7	76%
Fagotto.		19	0	4	7	75%
Tromba I.		12	0	2	6	60%
Tromba II.		10	0	1	6	60%
Tromba III.		8	0	0	5	54%
Timpani.		2	0	0	5	50%

Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"

Samuel Ricke

12:38	Est. Play Time
125	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
Violino I.		34	1	15	8	96%
Contrabasso.		25	0	10	5	90%
Violoncello.		26	0	10	5	90%
Fagotti.		25	25	9	7	57%
Clarinetti in B.		26	29	9	7	53%
Oboi.		23	26	10	5	35%
		23	34	11	7	52%
Corni in Es.		11	10	2	5	48%
Flauto.		19	0	9	7	47%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
Continuo.		24	1	7	5	100%
Fagotti.		24	1	7	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		12	0	2	4	98%
Flauto traverso II. Oboe II.		11	0	2	5	98%
Oboe II.		11	0	2	5	98%
Violino II.		12	0	2	5	98%
Flauto traverso I. Oboe I.		14	0	3	4	93%
Oboe I.		14	0	3	4	93%
Soprano.		14	0	3	4	93%
Violino I.		14	0	3	4	93%
Violone.		22	0	7	5	93%
Basso.		19	0	6	4	91%
Tromba I.		9	0	1	5	43%
Tromba II.		9	0	1	5	30%
Timpani.		2	0	0	5	22%
Tromba III.		11	0	1	6	22%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
View all 24 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		21	0	7	5	98%
		34	0	12	5	99%
Continuo.		27	0	10	5	97%
Fagotti.		27	0	10	5	97%
Violone.		27	0	10	5	97%
Flauto traverso I.		22	0	7	5	93%
Flauto traverso II.		22	0	6	5	93%
Violino I.		21	0	3	6	87%
Oboe I.		19	0	4	6	86%
Oboe II.		18	0	5	6	86%
Violino II.		20	0	5	6	86%
Viola.		16	0	3	5	85%
Soprano I.		15	0	3	4	65%
Alto I.		15	0	4	4	65%
Soprano II.		18	0	5	4	63%
Alto II.		15	0	3	4	63%
Tenore I.		14	0	2	5	63%
Tenore II.		13	0	2	4	63%
Basso I.		19	0	6	4	62%
Basso II.		20	0	7	4	58%
Tromba I.		11	0	0	4	50%
Tromba II.		10	0	0	4	48%
Timpani.		2	0	0	4	38%
Tromba III.		7	0	0	5	38%

*GOOD SOUNTFONT* Beethoven: Symphony No. 9 in D Minor, Op. 125 I. Allegro ma non troppo, un poco maestoso

Samuel Ricke

31:30	Est. Play Time
547	Measures
	12,688Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		34	9	19	10	92%
Violino II.		34	52	17	10	91%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		34	9	19	10	92%
Violino II.		34	52	17	10	91%
Violino I.		37	22	20	10	88%
Viola.		30	48	16	10	88%
Oboi.		27	64	12	10	84%
Fagotti.		35	57	17	10	84%
Basso		32	0	16	10	83%
Clarinetti in B.		36	85	17	10	82%
Corni in D.		14	22	4	9	80%
Flauti.		31	41	12	10	80%
Corni in B basso.		16	17	3	10	65%
Trombe in D.		12	6	2	9	59%
Timpani in D.A.		2	0	0	8	58%

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