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edward.maurath

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
	24	43	7	7	90%
Bass Voice	16	0	4	8	70%
Trumpet	9	0	1	7	64%
Viola	14	0	1	6	52%
Violin 1	14	0	1	6	52%
Violin 2	11	0	1	6	52%
Violoncello Continuo	16	0	1	6	52%
Violone Continuo	15	0	1	6	52%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
Violin 1	10	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Silvio	11	0	2	6	77%
Contrabasses	14	0	2	4	69%
Violoncellos	14	0	2	4	69%

WQ40 - iphignie en aulide (Gluck)

edward.maurath

8:14:19	Est. Play Time
4517	Measures
	57,351Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	37	609	29	13	97%
	58	373	40	11	96%
Iphigénie	21	0	15	11	18%
Achille	19	0	11	9	18%
Soprano	20	0	7	9	16%
Alto	19	0	6	9	15%
Clytemnestre	20	0	13	8	15%
Ténor	11	0	4	4	0%
	6	0	0	4	0%
	18	0	10	9	15%
Basse	13	0	3	4	0%
	19	0	9	9	15%
	15	0	2	7	1%
Agamemnon	20	0	12	8	13%
Calchas	20	2	10	8	2%
Patrocle	14	0	4	6	1%
1ʳᵉ Grecque	16	0	4	6	1%
Arcas	11	0	4	5	1%
Diane	16	0	6	7	1%
Grec	8	0	1	5	0%
Ténor 1	8	0	1	6	0%
Ténor 2	9	0	1	6	0%
2ᵉ Grecque	11	0	1	5	0%
3ᵉ Grecque	10	0	2	5	0%
Femme de la suite d’Iphigénie	10	0	0	5	0%
Esclave Lesbienne	7	0	0	3	0%

BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort

edward.maurath

1:12	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
	9	0	2	4	67%
Evangelist	17	0	6	3	73%
Organ Continuo	10	9	2	6	33%
	8	0	2	6	33%
	8	0	2	6	33%
Jesus	12	0	2	4	33%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

K 492, #25, "Ineque anni"

edward.maurath

5:30	Est. Play Time
138	Measures
	2,207Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
Celli	20	0	6	9	95%
Contrabasses	20	0	6	9	95%
Violas	19	7	6	9	95%
Don Basilio	17	0	7	6	91%
Bassoon	22	31	7	8	64%
B♭ Clarinet	19	23	6	7	63%
Flute	18	0	6	9	62%
B♭ Horn	9	10	0	7	54%
Harpsichord	19	6	3	5	16%
	17	7	2	3	15%

"Sventurata!" from "La Cenerentola"

edward.maurath

3:17	Est. Play Time
100	Measures
	2,327Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	16	0	4	10	100%
Violoncellos	16	0	4	10	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	16	0	4	10	100%
Violoncellos	16	0	4	10	100%
Violas	18	8	6	11	99%
Violins 1	28	13	10	12	99%
Violins 2	26	14	8	11	96%
Clorinda	20	0	6	13	84%
Bassoon	16	0	3	7	77%
	15	0	3	7	75%
Oboe	14	0	4	7	71%
	10	0	2	6	68%
BaccidentalFlat Corno	6	0	0	6	67%
	4	0	0	6	67%
Flute	18	0	5	9	61%

HWV56N53 - Worthy is the Lamb that was slain

edward.maurath

7:46	Est. Play Time
162	Measures
	3,494Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	101	8	6	84%
	26	40	6	6	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	101	8	6	84%
	26	40	6	6	92%
Cello	24	0	6	6	91%
Contrabass	24	0	6	5	91%
Bass	15	0	4	6	84%
Violin I	25	0	6	7	83%
Violin II	22	0	5	6	81%
Alto	15	0	3	6	81%
Tenor	18	0	6	6	81%
Soprano	16	0	4	6	76%
Viola	20	0	5	6	76%
Trumpet I	12	0	1	6	37%
Trumpet II	9	0	0	6	37%
Timpani	2	0	0	5	33%