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Clef: TrebleTreble
Measures: 20 - 35
Measures: 35 - 60
Unique Accidentals: > 4
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edward.maurath
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
HWV1A2N21 - Zweier Augen Majestät
edward.maurath
2:35 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 44 6 5 100%
Bass 21 2 5 2 100%
Bassoon Bass 17 0 6 5 60%
Bass 21 0 5 2 100%
 
HWV1A2N30 - Sanerà la piaga un dì
edward.maurath
3:30 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 45 6 4 98%
Bass 23 14 5 2 100%
Bassoon Continuo Bass 22 0 5 2 98%
Soprano as
Almira		 Treble 15 0 3 6 87%
 
HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"
edward.maurath
5:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
Violoncello Continuo Bass 23 0 7 5 97%
Arsace 18 0 6 7 74%
Violini Treble 21 5 4 4 66%
Contrabassi Continuo Bass 19 0 4 5 63%
Contrabasso Continuo Bass 19 0 4 5 63%
Violoncelli Continuo Bass 19 0 4 5 63%
 
HWV1 - So ben che regnante più degna di te - g minor
edward.maurath
1:56 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 26 6 5 100%
Bass 18 15 4 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 26 6 5 100%
Bass 18 15 4 5 100%
Contrabass Continuo Bass 17 0 4 5 100%
Violoncello Continuo Bass 17 0 4 5 100%
Tenor
as Fernando		 15 0 5 5 67%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
HWV8A1N3 - "Ah! Infelice mia patria," Act 1
edward.maurath
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
Amarilli 13 0 5 3 100%
Violoncello Bass 11 0 5 3 100%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
BWV 999: Prelude in c minor for lautenwerk
edward.maurath
1:55 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Harpsichord Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Lute Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%