Play Along Piano

Uploaders

edward.maurath

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
	24	43	7	7	90%
Bass Voice	16	0	4	8	70%
Trumpet	9	0	1	7	64%
Viola	14	0	1	6	52%
Violin 1	14	0	1	6	52%
Violin 2	11	0	1	6	52%
Violoncello Continuo	16	0	1	6	52%
Violone Continuo	15	0	1	6	52%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes

edward.maurath

6:34	Est. Play Time
132	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	27	78	8	7	93%
	28	18	9	7	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	27	78	8	7	93%
	28	18	9	7	95%
Organ Continuo	27	78	8	7	93%
	28	18	9	7	95%
Violoncello Continuo	26	0	8	7	95%
Alto as Ino	13	0	4	7	67%
Double Bass Continuo	17	0	3	5	16%
Solo Violoncello	15	0	3	7	11%
Violins	9	0	0	5	7%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
Cembalo Continuo	22	51	5	7	79%
	23	21	5	6	98%
Bassoon Continuo	20	0	4	6	95%
Violin 2	21	0	6	5	87%
Violoncello Continuo	19	0	4	5	82%
Double Bass Continuo	19	0	4	5	81%
Viola	16	0	2	4	81%
Castrato Alto as Bertarido	14	0	4	8	66%
Violini 1	15	0	4	5	65%
Oboe 1	15	0	3	6	42%
Oboe 2	20	0	6	6	42%

HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)

edward.maurath

2:01	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	7	7	97%
	24	25	7	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	7	7	97%
	24	25	7	6	100%
Violoncello	24	0	7	6	100%
Rinaldo	14	0	4	8	92%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

3:45	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	95%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	84%
Viola	16	0	5	6	84%
Violini 2	15	0	3	7	84%
Soprano as Rodelinda	17	0	7	8	72%

HWV19A1N0 - Hò perduto il caro sposo

edward.maurath

6:39	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	18	43	7	7	100%
	19	0	5	6	99%
Cembalo Continuo	17	38	7	6	94%
	22	11	5	6	99%
Violoncello Continuo	19	0	5	6	99%
Violini 1	19	0	5	7	85%
Contebass Continuo	17	0	5	6	83%
Viola	16	0	5	6	83%
Violini 2	15	0	3	7	83%
Soprano as Rodelinda	17	0	7	8	68%

HWV26A2N10 - Alto Aria for Matilde "Arma lo sguardo"

edward.maurath

5:55	Est. Play Time
64	Measures
	1,233Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	138	11	7	95%
	25	28	6	4	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	138	11	7	95%
	25	28	6	4	98%
Violoncello Continuo	23	0	6	4	98%
Violini	25	0	8	7	96%
Contrabasso Continuo	21	0	6	4	85%
Maltilde	20	0	7	7	76%

HWV26A3N11 - Alza il Ciel pianta orgogliosa - d minor

edward.maurath

5:31	Est. Play Time
100	Measures
	1,239Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	35	8	6	90%
	27	40	9	6	99%
Bassoon Continuo	26	0	8	6	99%
Violin	31	0	12	6	68%
Violoncello Continuo	23	0	7	5	68%
Violone	23	0	7	5	68%
Bass as Clodomiro	17	0	5	8	63%
Oboe	24	0	7	5	41%

BWV245N20½ - Ach windet euch nicht so, geplagte Seelen

edward.maurath

7:53	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	26	1	11	5	99%
Cembalo Continuo	27	55	10	6	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	26	1	11	5	99%
Cembalo Continuo	27	55	10	6	90%
	31	25	12	5	98%
Oboe 1	20	0	6	7	97%
Oboe 2	20	0	8	7	97%
Tenore	19	0	7	7	60%

Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238

edward.maurath

3:45	Est. Play Time
56	Measures
	1,423Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
Soprano	14	0	2	7	89%
	14	0	2	7	80%
Tenor	12	0	1	7	79%
	13	0	1	7	88%
Organ	19	32	3	7	87%
Organ	19	19	2	7	84%
Violin 2	12	0	2	6	75%
	16	0	2	7	84%
Continuo	16	0	1	7	77%
	19	0	2	7	81%
Cello Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violone Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violin 1	17	0	3	7	80%
	13	0	2	7	68%
Viola	16	0	1	7	79%
	12	0	1	7	70%
Bass	13	0	0	7	68%
	15	0	2	6	73%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

"Frode, sol a te rivolta" from "Il Pastor Fido," HWV 8 (1733)

edward.maurath

3:24	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	69	6	6	95%
	25	46	7	4	100%
Violoncello (Continuo)	22	0	6	4	100%
Soprano as Eurilia	12	0	4	5	68%
Violini Tutti	14	0	1	6	55%
Contrabassi	16	0	2	4	48%
Violoncelli (Continuo)	16	0	2	4	48%

"Prestami un solo dardo," from act 2 of Handel's 'Rodrigo,' HWV 5 (1707)

edward.maurath

4:25	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	28	10	6	89%
	26	39	9	8	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	28	10	6	89%
	26	39	9	8	100%
Harp (Continuo)	22	28	10	6	89%
	26	39	9	8	100%
Violoncello (Continuo)	25	0	8	7	100%
Evaneo	15	0	5	6	97%