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edward.maurath

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

BWV258N7 "Er ist auf Erden kommen arm"

edward.maurath

3:27	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
	21	3	5	5	97%
Fagotto Continuo	21	0	5	5	97%
Oboe d'amore	18	0	5	6	94%
Soprano	10	0	1	5	47%
Bass	15	0	6	4	17%

HWV7A3N3b - "Andante, o forti" in G Major

edward.maurath

0:40	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	24	10	7	100%
	21	23	10	7	100%
Basso Continuo	17	0	6	7	100%
Violoncello	17	0	6	7	100%
Contrabass	16	0	6	7	97%
Violins	19	0	6	7	97%
Mago as bass	12	0	3	7	75%
Viola	7	0	3	5	15%

BWV245N20½ - Ach windet euch nicht so, geplagte Seelen

edward.maurath

7:53	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	26	1	11	5	99%
Cembalo Continuo	27	55	10	6	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	26	1	11	5	99%
Cembalo Continuo	27	55	10	6	90%
	31	25	12	5	98%
Oboe 1	20	0	6	7	97%
Oboe 2	20	0	8	7	97%
Tenore	19	0	7	7	60%

HWB 8-B Terpsicore - Sarabande

edward.maurath

1:50	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	34	7	5	100%
	16	0	4	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	34	7	5	100%
	16	0	4	5	100%
Basso Continuo	16	0	4	5	100%
Contrabasses	16	0	4	5	100%
Violas	15	0	4	5	100%
Violins 1	19	0	6	9	100%
Violins 2	16	0	5	7	100%

I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8

edward.maurath

3:47	Est. Play Time
35	Measures
	1,413Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
Bassoon (Continuo)	15	0	1	6	100%
Contrabassi (Continuo)	15	0	1	6	100%
Violas	16	0	4	6	100%
Violins 1	22	0	4	7	100%
Violins 2	18	0	5	7	100%
Violoncelli (Continuo)	15	0	1	6	100%
Oboe	17	0	4	5	97%
Horn	12	0	1	5	79%
Alto	7	0	2	5	74%
Bass	12	0	1	5	74%
Soprano	10	0	1	6	74%
Tenor	8	0	1	5	74%

HWV 8-B Terpsicore GIGUE

edward.maurath

2:01	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
Violas	11	0	1	6	100%
Violins 1	17	0	1	7	100%
Violins 2	14	0	3	7	100%
Continuo	11	0	1	6	96%
Contrabass	11	0	1	6	96%

Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"

edward.maurath

1:10	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
Contrabass (Continuo)	14	0	4	4	100%
Viole Alti	12	0	3	4	100%
Viole Tenore	15	0	4	5	100%
Violini 1	16	0	4	7	100%
Violini 2	12	0	3	5	100%
Violoncello (Continuo)	16	0	4	4	100%

"Il vostro maggio," from "Rinaldo," HWV 7

edward.maurath

3:46	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	12	7	7	99%
	22	2	3	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	12	7	7	99%
	22	2	3	4	100%
Contrabasses	14	0	1	4	100%
Viola	12	0	2	5	100%
Violins 1	16	0	5	7	100%
Violins 2	12	0	2	5	100%
Violoncello	14	0	1	4	100%
Violoncellos	14	0	1	4	100%
Soprani	15	0	5	6	75%

He shall feed his flock like a shepherd (1741)

edward.maurath

5:39	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	22	73	6	6	100%
	20	21	6	9	96%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	22	73	6	6	100%
	20	21	6	9	96%
Contrabassi Continuo	22	0	7	9	100%
Viole	19	0	6	8	100%
Violini 1	21	0	5	9	100%
Violini 2	20	0	7	7	100%
Violoncelli Continuo	24	0	7	9	100%
Soprano	12	0	3	8	49%
Alto	12	0	3	7	35%

Sinfonia in e minor, BWV 4 "Christ lag in Todesbanden"

edward.maurath

1:10	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	39	7	4	100%
	16	3	4	5	100%
Contrabass (Continuo)	14	0	4	4	100%
Viole Alti	12	0	3	4	100%
Viole Tenore	15	0	4	5	100%
Violini 1	16	0	4	7	100%
Violini 2	12	0	3	5	100%
Violoncello (Continuo)	16	0	4	4	100%