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edward.maurath

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

HWV5A1N24 Cara Sposa, amante cara, dove sei?

edward.maurath

12:13	Est. Play Time
93	Measures
	1,084Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
Viola	18	0	4	5	95%
Cembalo Continuo	25	63	8	6	64%
	26	57	6	6	75%
Cello	22	0	5	6	73%
Rinaldo	16	0	6	5	73%
Double Bass Continuo	22	0	5	6	72%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

BWV 245 N 9 - Ich folge dir gleichfalls mit freudigen Schritten

edward.maurath

4:06	Est. Play Time
165	Measures
	1,334Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	25	0	9	4	99%
Flute	23	0	8	6	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	25	0	9	4	99%
Flute	23	0	8	6	99%
Organo Continuo	28	63	10	5	86%
	25	20	8	4	98%
Soprano	19	0	8	6	69%
Cembalo Continuo	27	22	9	4	56%
	23	31	8	5	41%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
Cembalo (Continuo)	23	45	4	6	50%
	19	13	2	3	56%
Violoncello (Continuo)	16	0	1	3	56%
Violas	12	0	1	5	53%
Contrabassi (Contrabassi)	14	0	1	3	52%
Violoncelli (Continuo)	14	0	1	3	52%
Soprano as Apollo	12	0	1	6	50%
Flute	12	0	1	7	44%
	13	0	1	5	44%

"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)

edward.maurath

3:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
Flute	15	0	3	4	75%
	17	2	3	4	75%
Esilena	16	0	6	4	71%
Cembalo (Continuo)	22	37	7	5	63%
	21	28	6	5	63%
Violoncello (Continuo)	18	0	3	5	63%
Contrabasses	14	0	0	5	43%
Violoncellos (Continuo)	14	0	0	5	43%

"In mano al mio sposo più vago," act 1, "Rodrigo," HWV 5 (1707)

edward.maurath

4:51	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Harp (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Violoncello (Continuo)	17	0	4	4	80%
Esilena	15	0	4	7	76%
Violins 1	16	0	0	6	68%
Violins 2	12	0	0	5	68%
Contrabass (Continuo)	12	0	0	4	51%
Contrabasses (Continuo)	12	0	0	4	51%
Violoncellos (Continuo)	12	0	0	4	51%

"Fra le spine offre gl'allori di sua man la gloria a noi" from 'Rodrigo,' HWV 5 (1707)

edward.maurath

3:46	Est. Play Time
74	Measures
	1,338Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	22	0	6	5	97%
Violin	28	0	9	6	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	22	0	6	5	97%
Violin	28	0	9	6	96%
Cembalo (Continuo)	21	39	7	5	64%
	19	17	4	5	65%
Harp (Continuo)	21	39	7	5	64%
	19	17	4	5	65%
Contrabasses (Continuo)	17	0	3	5	65%
Violoncello (Continuo)	17	0	3	5	65%
Violoncellos (Continuo)	18	0	3	5	65%
Bassoon	18	0	3	5	55%
Oboe	24	0	7	5	55%
Giuliano	13	0	4	4	54%
Violins	24	0	7	5	54%

HWV7A1N24Y1731 Rinaldo, "Cara Sposa, amante care, dove sei?"

edward.maurath

12:14	Est. Play Time
93	Measures
	1,328Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
Viola	18	0	4	5	95%
Harpsi	30	84	8	7	76%
	26	56	6	6	73%
Cello	22	0	5	6	73%
Rinaldo	16	0	6	5	73%
Kontrebaß	22	0	5	6	72%
Violoncellos	22	0	5	6	72%

HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major

edward.maurath

9:34	Est. Play Time
342	Measures
	5,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
Violone	22	1	5	6	95%
Harpsi	20	83	5	6	90%
	27	52	7	6	76%
Basso	16	3	4	7	72%
Trumpet In C	14	12	2	9	70%
Violin 1	16	65	2	9	59%
Viola	14	0	1	8	51%
Violin 2	14	0	1	7	11%

HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato

edward.maurath

1:29	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
Viola	11	0	3	4	100%
Viole	11	0	3	4	100%
Violin	13	19	4	4	100%
Violini	13	19	4	4	100%
Violoncelli (Continuo)	10	0	2	4	100%
Violoncello	10	0	2	4	100%
Violoncello (Continuo)	10	0	2	4	96%
Rodrigo	13	0	5	3	91%
Cembalo (Continuo)	18	26	7	5	88%
	18	15	6	6	79%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
	19	26	7	5	51%
Cesare	12	0	4	5	45%
Harp	17	20	6	6	42%
	15	16	5	5	44%
Sesto	9	0	4	3	22%
Cornelia	11	0	3	3	18%
Nireno	7	0	0	3	14%
Cleopatra	7	0	2	4	10%
Lute	5	1	1	2	4%
	12	3	5	2	6%

HWV56N38 - "How beautiful are the feet" - 1742

edward.maurath

2:24	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
	15	22	4	5	92%
Violini	18	0	4	8	92%
Contrabasses	16	0	3	5	76%
Violoncelli	17	0	3	5	76%
Soprano	12	0	3	6	68%
Cemballo	17	25	4	5	60%
	14	13	3	5	60%

HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"

edward.maurath

1:29	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
Harp	15	17	7	4	55%
	15	15	12	4	57%
Harpsichord	10	11	3	3	48%
	15	13	8	3	52%
Cornelia	12	0	4	4	48%

HWV56N46 - Since by man came death

edward.maurath

1:45	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
Soprani	12	0	3	5	92%
Tenori	10	0	1	5	92%
Organ	17	56	4	4	69%
	14	18	3	4	69%
Cello Continuo	16	0	2	4	67%
Contrabass	16	0	2	4	64%
Viola	13	0	1	4	64%
Violin I	13	0	3	4	64%
Violin II	13	0	2	4	64%

"Non vo' legarmi il cor" from "Il Pastor Fido," HWV 8 (1712)

edward.maurath

5:31	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	24	0	8	6	96%
Cemballo (Continuo)	22	40	6	8	88%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	24	0	8	6	96%
Cemballo (Continuo)	22	40	6	8	88%
	26	33	8	6	66%
Alto as Silvio	14	0	5	8	76%
Violini	13	0	1	7	73%
Contrabassi (Continuo)	14	0	1	5	68%
Violoncelli (Continuo)	14	0	1	5	68%
Viole	12	0	2	4	53%