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Unique Durations: 1-3
Unique Durations: 4-5
Unique Chords: 7-10
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edward.maurath
HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor
edward.maurath
4:29 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
Cello Bass 17 0 3 5 95%
Juno Treble 15 0 4 9 84%
Vln
1		 Treble 20 0 4 5 80%
Violas 19 0 4 5 74%
Vln
2		 Treble 21 0 6 3 70%
Celli Bass 17 0 3 3 66%
Kontrebaß Bass 17 0 3 3 66%
 
HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)
edward.maurath
0:40 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Organ Treble 12 13 3 5 100%
Bass 12 10 2 5 92%
Soprano 8 1 1 5 77%
Bassoon Bass 9 0 0 5 75%
Bass 9 0 0 5 75%
Celli Bass 7 0 0 5 75%
Kontrebaß Bass 7 0 0 5 75%
Tenor 8 0 3 5 70%
Bass Bass 9 0 0 5 67%
Viole 3 0 0 5 67%
Violini Treble 12 0 2 5 67%
Oboe Treble 9 0 2 5 55%
 
HWV5A2N11 - "Mà Rodrigo"
edward.maurath
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
Bass 18 17 4 3 88%
Violoncello (Continuo) Bass 9 0 2 3 88%
Cembalo (Continuo) Treble 3 0 0 1 31%
Bass 15 9 2 3 44%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
HWV61A2N45 - Oh Sentence too severe!
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
Organ
LH		 Bass 15 8 5 2 83%
Vcl Bass 7 0 1 2 83%
Violone Bass 7 0 1 2 83%
 
Händel: "Samson," (oratorio), "Let the Bright Seraphim"
edward.maurath
3:59 Est. Play
Time
76 Measures
1,390Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 22 0 5 5 82%
Vln
1		 Treble 24 0 7 6 73%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 22 0 5 5 82%
Vln
1		 Treble 24 0 7 6 73%
Violas 17 0 5 6 72%
Vln
2		 Treble 23 0 6 6 72%
Harpsi Treble 17 15 3 7 71%
Bass 20 16 3 4 61%
Israelite Woman Treble 16 0 4 9 70%
Celli Bass 20 0 4 5 59%
Kontrebaß Bass 20 0 4 5 59%
Trumpet Treble 10 0 1 8 51%
Organ
with out
pedals (Continuo)		 Treble 16 12 5 5 22%
Bass 15 8 3 3 22%
 
"Presti omai l'Egizia terra" From HWV 17
edward.maurath
2:46 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
Cello Continuo Bass 17 0 2 4 100%
Contrabasses Bass 17 0 2 4 100%
Violoncellos Continuo Bass 17 0 2 4 100%
Violins 1 Treble 18 0 1 5 98%
Violins 2 Treble 19 0 2 5 98%
Violas 13 0 1 4 81%
Cesare 13 0 2 7 74%
 
"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
19:47 Est. Play
Time
146 Measures
1,291Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 82 10 7 98%
Bass 19 7 6 5 81%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 82 10 7 98%
Bass 19 7 6 5 81%
Violini Tutti Treble 21 0 5 7 76%
Cleopatra Treble 15 0 4 6 62%
Violoncello Continuo Bass 18 0 4 5 61%
Oboe Treble 12 0 1 7 59%
Contrabassi Continuo Bass 17 0 2 5 51%
Violoncelli Continuo Bass 17 0 2 5 51%
Bassoon Continuo Bass 15 0 0 5 44%
Viole Treble 10 0 0 5 34%
Bassoon Viola 10 0 0 5 16%
 
HWV56N15 - And the angel said unto them
edward.maurath
0:35 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
Cello Bass 8 0 1 4 100%
Contrabass Bass 8 0 1 4 100%
Soprano 9 0 2 5 82%
 
HWV56N08 Messiah: Behold, a virgin shall conceive
edward.maurath
0:14 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
Hpsi
RH		 Treble 10 8 1 2 100%
Violone Bass 4 0 0 2 100%
Alto 7 0 1 4 86%
 
K 492: Number 24, "Il caproro e la caprella,"
edward.maurath
3:13 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
Violas 17 0 3 9 99%
Celli Bass 19 0 6 5 98%
Contrabasses Bass 16 0 4 4 90%
Marcellina 14 0 3 11 79%
Harpsichord Treble 11 9 0 4 28%
Bass 13 7 1 4 29%
 
HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
Contrabass Bass 7 0 2 4 100%
HPSI
LH		 Bass 10 8 3 4 100%
Hpsi
RH		 Treble 11 9 4 4 100%
 
HWV56N47 - Behold! I tell you a mystery!
edward.maurath
0:29 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 10 12 1 5 100%
Bass 12 10 2 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 10 12 1 5 100%
Bass 12 10 2 5 100%
Cello Continuo Bass 8 0 2 5 100%
Contrabass Continuo Bass 8 0 2 5 100%
Viola 5 0 0 5 100%
Vln
I		 Treble 7 0 1 5 100%
Vln
II		 Treble 6 0 1 5 100%
Basso Bass 10 0 1 3 88%
 
HWV56N19Y1741 - Soprano - Then shall the eyes of the blind be opened
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
Hpsi
RH		 Treble 12 10 3 4 100%
Soprano 10 0 4 5 100%
 
Sinfonia in E Flat Major, from "Il Pastor Fido," HWV 8
edward.maurath
1:08 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
Contrabassi (Continuo) Bass 15 0 3 5 100%
Viola 11 0 2 5 100%
Violins I



 Treble 17 0 3 5 100%
Violins II



 Treble 14 0 1 4 100%
Violoncelli (Continuo) Bass 16 0 3 5 100%
Violoncello (Continuo) Bass 16 0 3 5 100%
 
"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
2:34 Est. Play
Time
27 Measures
1,274Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
Harp Contnuo Treble 21 42 3 6 96%
Bass 18 14 2 5 96%
Contrabassi Continuo Bass 14 0 1 5 96%
Violini 1 Treble 19 0 2 6 96%
Violini 2 Treble 19 0 2 6 96%
Violoncelli Continuo Bass 15 0 1 5 96%
Violoncello Continuo Bass 15 0 1 5 96%
Cornelia Contralto 10 0 2 5 78%
 
K 492, #25, "Ineque anni"
edward.maurath
5:30 Est. Play
Time
138 Measures
2,207Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 9 11 98%
Violins
2		 Treble 27 3 9 11 98%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 9 11 98%
Violins
2		 Treble 27 3 9 11 98%
Celli Bass 20 0 6 9 95%
Contrabasses Bass 20 0 6 9 95%
Violas 19 7 6 9 95%
Don Basilio 17 0 7 6 91%
Bassoon Bass 22 31 7 8 64%
B♭
Clarinet		 Treble 19 23 6 7 63%
Flute Treble 18 0 6 9 62%
B♭
Horn		 Treble 9 10 0 7 54%
Harpsichord Treble 19 6 3 5 16%
Bass 17 7 2 3 15%
 
HWV56N40 - Why do the nations? - with da capo repeat
edward.maurath
6:31 Est. Play
Time
109 Measures
3,053Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 90%
Bass 22 7 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 90%
Bass 22 7 6 4 100%
Contrabass Bass 21 0 6 4 100%
Violoncello Continuo Bass 22 1 6 4 100%
Violin
I		 Treble 27 0 9 6 99%
Viola 23 0 6 5 98%
Violin
II		 Treble 25 0 7 5 97%
Organo Treble 21 65 7 6 91%
Orgono Bass 20 43 7 4 90%
Basso Bass 16 0 5 9 73%