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edward.maurath

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
Cembalo Continuo	22	51	5	7	79%
	23	21	5	6	98%
Bassoon Continuo	20	0	4	6	95%
Violin 2	21	0	6	5	87%
Violoncello Continuo	19	0	4	5	82%
Double Bass Continuo	19	0	4	5	81%
Viola	16	0	2	4	81%
Castrato Alto as Bertarido	14	0	4	8	66%
Violini 1	15	0	4	5	65%
Oboe 1	15	0	3	6	42%
Oboe 2	20	0	6	6	42%

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt

edward.maurath

3:31	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
	16	2	6	6	70%
Evangelista	17	0	6	5	65%
Ancilla Petrus Jesus	24	0	8	4	43%
Organo Continuo	14	20	6	5	37%
	11	0	2	4	37%
Servus	6	0	3	2	7%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

BWV 245 N 21 - Und die Kriegsknechte flochten

edward.maurath

8:18	Est. Play Time
113	Measures
	2,969Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenori	21	0	10	6	88%
Bassi	23	0	11	7	75%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenori	21	0	10	6	88%
Bassi	23	0	11	7	75%
Bassono Grosso	25	0	8	6	62%
Bassoon Continuo	25	0	8	6	62%
Contrabassi Continuo	25	0	8	6	61%
Flute 1	22	0	9	7	60%
Flute 2	22	0	8	7	60%
Violoncelli Continuo	25	0	8	6	60%
Violas	23	0	8	6	59%
Oboe 2	20	0	6	7	57%
Alti	17	0	5	6	56%
Violins 2	25	0	10	6	56%
Oboe 1	22	0	8	7	55%
Soprani	19	0	7	6	55%
Violins 1	24	0	11	6	55%
Organo Continuo	25	9	11	7	51%
	21	0	8	7	54%
Violoncello Continuo	18	0	9	5	38%
Cembalo Continuo	21	56	10	6	35%
	18	2	7	6	35%

"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

2:32	Est. Play Time
107	Measures
	2,086Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
Basso Continuo	19	0	2	5	100%
Fagotto (Viole)	21	0	2	4	100%
Oboe 1	15	0	2	5	100%
Oboe 2	14	0	4	5	100%
Contrabassi Continuo	14	0	2	3	79%
Viole	11	0	2	4	79%
Violini 1	13	0	2	4	79%
Violini 2	11	0	2	4	79%
Violoncelli Continuo	14	0	2	3	79%
Corni re	8	0	0	3	73%
Corni sol	7	0	0	3	72%
Bassi	13	0	2	3	69%
Contralti	9	0	1	4	69%
Soprani	13	0	2	4	69%
Tenori	8	0	2	4	69%
Cleopatra	8	0	0	4	23%
Cesare	9	0	2	4	22%

"Ogni indugio d'un amante," for Rinaldo, HWV 7

edward.maurath

6:00	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	100	10	9	89%
	27	61	8	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	100	10	9	89%
	27	61	8	6	100%
Violoncello	20	1	5	6	100%
Violins 1	20	0	6	7	75%
Contrabasses	19	0	4	6	73%
Violoncellos	19	0	4	5	73%
Rinaldo	13	0	4	8	70%

HWV56N38 - "How beautiful are the feet" - 1741

edward.maurath

5:30	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	7	98%
Organo	24	85	7	6	96%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	7	98%
Organo	24	85	7	6	96%
	16	27	5	7	96%
Violini	27	25	9	8	91%
Contrabasses	16	0	3	7	82%
Violoncelli	18	0	3	7	82%
Soprano	17	0	6	6	79%
Cemballo	18	26	5	6	46%
	16	14	4	6	46%

HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato

edward.maurath

1:29	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
Viola	11	0	3	4	100%
Viole	11	0	3	4	100%
Violin	13	19	4	4	100%
Violini	13	19	4	4	100%
Violoncelli (Continuo)	10	0	2	4	100%
Violoncello	10	0	2	4	100%
Violoncello (Continuo)	10	0	2	4	96%
Rodrigo	13	0	5	3	91%
Cembalo (Continuo)	18	26	7	5	88%
	18	15	6	6	79%

HWV56N22 - Behold the Lamb of God!

edward.maurath

3:15	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	60	6	9	100%
	16	25	3	7	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	60	6	9	100%
	16	25	3	7	97%
Violin I	17	0	3	8	100%
Violin II	20	0	4	11	100%
Cello	16	0	3	7	97%
Viola	16	0	3	11	97%
VNE	16	0	3	7	97%
Alto	13	0	3	7	81%
Soprano	13	0	3	9	81%
Basso	15	0	3	7	75%
Tenore	14	0	4	8	75%

HWV56N35 - Let all the angels of God worship him

edward.maurath

1:51	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	13	7	1	6	62%
	16	1	2	7	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	13	7	1	6	62%
	16	1	2	7	95%
Cello Continuo	16	0	2	7	95%
Violone	16	0	2	7	95%
Violin I	15	0	2	7	92%
Violin II	18	0	1	7	92%
Alti	10	0	1	8	84%
Soprani	13	0	2	7	84%
Viola	15	0	2	7	84%
Bassi	13	0	2	7	76%
Tenori	13	0	2	6	76%

BWV 21: Sinfonia in c minor

edward.maurath

3:02	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
Contrabasso Continuo	17	0	4	6	100%
Fagatto Continuo	19	0	4	6	100%
Oboe	18	0	8	10	100%
Organo Continuo	13	36	5	6	100%
Viola	11	0	3	7	100%
Violino 1	23	0	7	11	100%
Violino 2	11	0	2	6	100%
Violoncello Continuo	19	0	4	6	100%

HWV56N05Y1741 - Messiah - Thus saith the Lord

edward.maurath

1:39	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	18	0	4	7	94%
Contrabass	18	0	4	7	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	18	0	4	7	94%
Contrabass	18	0	4	7	94%
Viola	10	0	0	5	94%
Violin I	16	0	3	7	94%
Violin II	13	0	3	5	94%
Harpsichord	21	33	6	7	85%
	18	18	5	7	91%
Basso	13	0	3	6	88%

"Allor che sorge astro lucente" from "Il Pastor Fido," HWV 8 (1712)

edward.maurath

2:54	Est. Play Time
76	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	28	41	9	6	98%
	19	11	5	6	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	28	41	9	6	98%
	19	11	5	6	98%
Violoncello (Continuo)	18	0	5	6	98%
Soprano as Mirtillo	14	0	5	4	69%
Contrabassi (Continuo)	13	0	3	5	10%
Viole	8	0	0	5	10%
Violini 1	15	0	5	5	10%
Violini 2	10	0	2	5	10%
Violoncelli (Continuo)	13	0	3	4	10%

HWV56N28 He trusted in God that He would deliver Him

edward.maurath

2:41	Est. Play Time
63	Measures
	1,400Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	119	10	7	97%
	18	28	6	7	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	119	10	7	97%
	18	28	6	7	100%
Cello	25	0	6	7	100%
Kontrebaß	23	0	6	7	100%
Viola	13	0	3	8	92%
Tenor	13	0	3	8	90%
Vln II	12	0	3	8	86%
Alti	12	0	3	8	84%
Bassi	16	0	4	8	79%
Vln I	18	0	5	7	67%
Soprani	17	0	5	7	65%

"La speranza all alma mia gride e dice" from HWV 17 "Giulio Cesare in Egitto"

edward.maurath

7:29	Est. Play Time
121	Measures
	1,405Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	50	3	6	98%
	19	37	2	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	14	50	3	6	98%
	19	37	2	7	100%
Violoncello Continuo	15	0	2	4	100%
Cleopatra	12	0	3	7	68%
Contrabassi Continuo	11	0	1	4	39%
Violini	17	0	1	4	39%
Violoncelli Continuo	12	0	1	4	39%