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edward.maurath

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
Bassoon		19	0	6	8	100%
Bassoon Continuo		24	0	9	6	100%
Contrabassi Continuo		19	0	7	5	100%
Inferred Bassoon		23	0	7	6	100%
Viole		16	0	4	7	100%
Violini 1		20	0	8	6	100%
Violini 2		17	0	7	6	100%
Violoncelli Continuo		20	0	7	5	100%
Alti		10	0	4	7	83%
Soprani		14	0	5	7	83%
Bassi		16	0	5	7	79%
Tenori		12	0	4	7	76%
Oboe 1		12	0	3	7	72%
Oboe 2		15	0	6	7	72%

HWV7A3N3b - "Andante, o forti" in G Major

edward.maurath

0:40	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	24	10	7	100%
		21	23	10	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	24	10	7	100%
		21	23	10	7	100%
Basso Continuo		17	0	6	7	100%
Violoncello		17	0	6	7	100%
Contrabass		16	0	6	7	97%
Violins		19	0	6	7	97%
Mago as bass		12	0	3	7	75%
Viola		7	0	3	5	15%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		21	0	5	7	99%
Harpsichord		19	81	5	7	92%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo		21	0	5	7	99%
Harpsichord		19	81	5	7	92%
		24	43	7	7	90%
Bass Voice		16	0	4	8	70%
Trumpet		9	0	1	7	64%
Viola		14	0	1	6	52%
Violin 1		14	0	1	6	52%
Violin 2		11	0	1	6	52%
Violoncello Continuo		16	0	1	6	52%
Violone Continuo		15	0	1	6	52%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		23	19	2	6	100%
		22	21	4	6	87%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		23	19	2	6	100%
		22	21	4	6	87%
Violin 1		14	0	1	6	92%
Violin 2		15	0	1	7	92%
Violoncello		15	0	2	5	79%
Dorinda		11	0	2	6	77%
Contrabasses		13	0	2	4	64%
Violoncellos		13	0	2	4	64%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
Violoncello (Continuo)		19	0	3	6	100%
Alto as Dorinda		15	0	4	8	78%
Contrabasses		8	0	0	3	8%
Viola		10	0	0	3	8%
Violins I		11	0	0	5	8%
Violins II		10	0	0	3	8%
Violoncellos		8	0	0	3	8%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		21	41	6	4	87%
		26	17	7	4	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		21	41	6	4	87%
		26	17	7	4	98%
Viola		22	0	7	3	97%
Violino 1		23	0	6	7	97%
Violino 2		24	0	7	6	97%
Double Bass Continuo		22	0	7	3	95%
Violoncello Continuo		23	0	7	3	95%
Bass as Clodomiro		17	0	6	8	75%
Bassoon Continuo		23	0	7	4	75%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
Violoncello		24	0	5	6	97%
Contrabass		24	0	5	5	88%
Dorinda		17	0	6	6	75%
Violins 1		22	0	7	7	56%
Contrabasses		17	0	4	3	47%
Violoncellos		17	0	4	3	47%
Bassoon		10	0	2	3	13%
Oboe		14	0	2	5	13%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
Cello		20	0	5	3	100%
Kontrebaß		20	0	5	2	89%
Violas		18	0	4	4	85%
Vln 1		22	0	6	6	85%
Vln 2		20	0	6	3	85%
Tenor as Jupiter		12	0	3	7	78%

HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes

edward.maurath

6:34	Est. Play Time
132	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		27	78	8	7	93%
		28	18	9	7	95%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		27	78	8	7	93%
		28	18	9	7	95%
Organ Continuo		27	78	8	7	93%
		28	18	9	7	95%
Violoncello Continuo		26	0	8	7	95%
Alto as Ino		13	0	4	7	67%
Double Bass Continuo		17	0	3	5	16%
Solo Violoncello		15	0	3	7	11%
Violins		9	0	0	5	7%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		21	86	6	9	100%
		22	37	5	6	99%
Violoncello Continuo		17	2	1	3	86%
Violins		15	0	2	8	73%
Rodelinda		13	0	3	5	68%
Contrabasses		14	0	0	3	60%
Violincello Continuo		14	0	0	3	60%
Violas		13	0	2	5	55%
Bassoon Continuo		14	0	0	3	15%
Oboe		10	0	0	6	14%

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