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Participation: 80%-99%
Unique Durations: 8-9
Unique Durations: > 9
Unique Notes: 11 - 15
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edward.maurath
HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor
edward.maurath
4:29 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 45 7 6 92%
Bass 20 10 4 5 95%
Cello Bass 17 0 3 5 95%
Juno Treble 15 0 4 9 84%
Vln
1		 Treble 20 0 4 5 80%
Violas 19 0 4 5 74%
Vln
2		 Treble 21 0 6 3 70%
Celli Bass 17 0 3 3 66%
Kontrebaß Bass 17 0 3 3 66%
 
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%
 
"Ah! crudel, il pianto mio deh!," from "Rinaldo," HWV 7, (1711)
edward.maurath
5:50 Est. Play
Time
45 Measures
1,422Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 23 0 5 11 100%
Contrabass Solo Bass 22 0 6 8 95%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 23 0 5 11 100%
Contrabass Solo Bass 22 0 6 8 95%
Violoncello (Continuo) Bass 20 0 5 8 95%
Cembalo
(Continuo)		 Treble 27 49 8 8 89%
Bass 23 18 5 8 94%
Contrabassi (Continuo) Bass 19 0 5 8 90%
Violas 15 0 3 8 90%
Violins
1		 Treble 22 0 6 9 90%
Violins
2		 Treble 22 0 4 8 90%
Violins
3		 Treble 18 0 4 7 90%
Violoncelli
(Continuo)		 Bass 19 0 5 8 90%
Violoncello Solo Bass 21 0 5 8 86%
Oboe Treble 18 0 4 9 85%
Armida 17 0 6 9 68%
 
"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)
edward.maurath
2:57 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
Violoncello Bass 22 1 4 7 100%
Mirtillo 15 0 5 8 85%
 
HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major
edward.maurath
6:16 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Celli Bass 21 0 5 6 100%
Kontrbaß Bass 21 0 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Celli Bass 21 0 5 6 100%
Kontrbaß Bass 21 0 5 6 100%
Cleopatra Treble 15 0 2 8 88%
Vln
1		 Treble 20 0 4 5 80%
Harpsichord Treble 18 9 3 6 78%
Bass 18 6 3 6 78%
Continuo Bass 17 0 3 6 78%
Vln
2		 Treble 20 0 4 5 64%
Flute Treble 11 0 1 4 51%
 
"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)
edward.maurath
3:29 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 29 5 6 100%
Bass 23 32 5 7 100%
Harp Continuo Treble 22 28 5 7 100%
Bass 23 34 5 7 100%
Violoncello Continuo Bass 20 0 4 7 100%
Sesto Treble 14 0 3 8 83%
Contrabassi Continuo Bass 9 0 0 4 8%
Violini Treble 9 0 0 6 8%
Violoncelli Continuo Bass 9 0 0 4 8%
 
HWV56N10 Behold, darkness shall cover the earth
edward.maurath
2:47 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 42 11 4 96%
Bass 16 4 6 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 42 11 4 96%
Bass 16 4 6 4 100%
Cello Bass 14 0 4 4 100%
Viola 16 0 5 4 100%
Violin
I		 Treble 17 0 5 5 100%
Violoncello Continuo Bass 14 0 4 4 100%
Violone Bass 14 0 4 4 100%
Violin
II		 Treble 18 0 6 4 96%
Bass Bass 14 0 3 8 83%
 
HWV56N22 - Behold the Lamb of God!
edward.maurath
3:15 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
Violin
I		 Treble 17 0 3 8 100%
Violin
II		 Treble 20 0 4 11 100%
Cello Bass 16 0 3 7 97%
Viola 16 0 3 11 97%
VNE Bass 16 0 3 7 97%
Alto 13 0 3 7 81%
Soprano Treble 13 0 3 9 81%
Basso Bass 15 0 3 7 75%
Tenore 14 0 4 8 75%
 
HWV56N51 - But thanks be unto God
edward.maurath
3:00 Est. Play
Time
51 Measures
1,119Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 19 84 6 5 100%
Bass 19 31 6 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 19 84 6 5 100%
Bass 19 31 6 5 100%
Cello Continuo Bass 24 0 6 8 100%
Violone Continuo Bass 24 0 6 5 100%
Tenori 14 0 4 8 96%
Vln
II		 Treble 22 0 7 8 96%
Vln
I		 Treble 22 0 7 7 92%
Alti 14 0 5 8 90%
Soprani 14 0 4 7 88%
Viola 19 0 5 7 84%
Bassi Bass 14 0 3 8 75%
 
HWV56N28 He trusted in God that He would deliver Him
edward.maurath
2:41 Est. Play
Time
63 Measures
1,400Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 25 119 10 7 97%
Bass 18 28 6 7 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 25 119 10 7 97%
Bass 18 28 6 7 100%
Cello Bass 25 0 6 7 100%
Kontrebaß Bass 23 0 6 7 100%
Viola 13 0 3 8 92%
Tenor 13 0 3 8 90%
Vln
II		 Treble 12 0 3 8 86%
Alti 12 0 3 8 84%
Bassi Bass 16 0 4 8 79%
Vln
I		 Treble 18 0 5 7 67%
Soprani 17 0 5 7 65%
 
Ouverture for the opera "Rinaldo," hwv 7
edward.maurath
6:31 Est. Play
Time
83 Measures
2,058Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Solo Treble 16 0 3 10 96%
Oboe Treble 15 0 3 10 95%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Solo Treble 16 0 3 10 96%
Oboe Treble 15 0 3 10 95%
Treble 19 0 4 9 95%
Violin I

 Treble 15 0 3 10 91%
Violin II

 Treble 19 0 4 9 91%
Bassoon

(with
Viola)		 21 0 4 7 89%
Bassoon
(Continuo)		 Bass 21 0 5 7 88%
Cembalo
(Continuo)		 Treble 20 43 4 10 85%
Bass 22 22 6 7 85%
Contrabassi (Continuo) Bass 19 0 5 7 85%
Viola 17 0 4 7 85%
Violoncelli (Continuo) Bass 19 0 5 7 85%
Violoncello (Continuo) Bass 20 0 5 7 84%
Violoncello Solo Bass 17 0 4 2 9%
 
HWV56N44 - Hallelujah
edward.maurath
4:05 Est. Play
Time
94 Measures
2,411Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 15 71 2 7 99%
Bass 14 31 2 8 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 15 71 2 7 99%
Bass 14 31 2 8 100%
Cello Continuo Bass 19 0 2 7 100%
Contrabass Continuo Bass 20 0 2 8 100%
Viola 16 0 2 8 99%
Violin
I		 Treble 20 0 1 9 98%
Tenor 13 0 1 8 96%
Violin
II		 Treble 21 0 3 8 96%
Bass Bass 14 0 2 8 95%
Alto 13 0 2 8 91%
Soprano 12 0 0 8 87%
Trumpet
I Concert		 Treble 11 0 1 8 64%
Trumpet
II Concert		 Treble 7 0 0 8 51%
Timpani Bass 2 0 0 8 50%