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edward.maurath

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	7	11	6	100%
	21	2	10	5	100%
Bassoon	19	0	6	8	100%
Bassoon Continuo	24	0	9	6	100%
Contrabassi Continuo	19	0	7	5	100%
Inferred Bassoon	23	0	7	6	100%
Viole	16	0	4	7	100%
Violini 1	20	0	8	6	100%
Violini 2	17	0	7	6	100%
Violoncelli Continuo	20	0	7	5	100%
Alti	10	0	4	7	83%
Soprani	14	0	5	7	83%
Bassi	16	0	5	7	79%
Tenori	12	0	4	7	76%
Oboe 1	12	0	3	7	72%
Oboe 2	15	0	6	7	72%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

"Sol dal brando," from "Rinaldo," HWV 7

edward.maurath

2:43	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
Violoncello (Continuo)	19	0	4	5	100%
Alto as Goffredo	16	0	5	7	77%
Contrabasses	16	0	1	4	77%
Violini	16	0	1	4	77%
Violoncellos	16	0	1	3	77%

"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)

edward.maurath

2:57	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
Violoncello	22	1	4	7	100%
Mirtillo	15	0	5	8	85%

HWV56N02 - Messiah - Comfort ye, my people

edward.maurath

3:17	Est. Play Time
37	Measures
	1,502Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HPSI LH	21	69	3	7	97%
HSC RH	21	57	6	7	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HPSI LH	21	69	3	7	97%
HSC RH	21	57	6	7	97%
VNE	16	1	3	5	95%
Bassoon	13	0	1	4	92%
Bassoon Continuoi	15	0	3	7	92%
Oboi	19	44	4	6	92%
Vcl	15	1	3	5	92%
Vla	13	0	1	5	92%
Vln 1	16	0	3	8	92%
Vln 2	16	0	3	5	92%
Tenor	14	0	4	6	84%

"Allor che sorge astro lucente" from "Il Pastor Fido," HWV 8 (1712)

edward.maurath

2:54	Est. Play Time
76	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	28	41	9	6	98%
	19	11	5	6	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	28	41	9	6	98%
	19	11	5	6	98%
Violoncello (Continuo)	18	0	5	6	98%
Soprano as Mirtillo	14	0	5	4	69%
Contrabassi (Continuo)	13	0	3	5	10%
Viole	8	0	0	5	10%
Violini 1	15	0	5	5	10%
Violini 2	10	0	2	5	10%
Violoncelli (Continuo)	13	0	3	4	10%

HWV56N41 - Let us break their bonds asunder

edward.maurath

2:22	Est. Play Time
67	Measures
	1,190Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	7	2	0	4	6%
	22	1	4	7	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	7	2	0	4	6%
	22	1	4	7	100%
Cello Continuo	22	0	4	7	100%
Violone	20	0	4	7	100%
Viola	20	0	6	5	99%
Vln I	24	0	5	7	91%
Vln II	24	0	5	6	91%
Tenor	15	0	4	6	84%
Organ	15	40	4	6	81%
	13	19	1	6	70%
Soprani	15	0	4	6	75%
Alti	12	0	2	6	70%
Bassi	15	0	3	6	66%

"Svegliatevi nel core" from HWV 17, (1724)

edward.maurath

3:08	Est. Play Time
64	Measures
	1,364Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	22	6	6	5	100%
	23	9	4	6	100%
Harpsichord	21	2	4	5	100%
	24	10	7	6	100%
Celli	21	0	4	5	100%
Continuo	21	1	4	5	100%
Contrabasses	21	0	4	5	100%
Vln 1	23	0	5	5	98%
Vln 2	19	0	4	5	98%
Castrato as Sesto	15	0	3	6	80%
Flute	13	17	2	4	25%

HWV56N28 He trusted in God that He would deliver Him

edward.maurath

2:41	Est. Play Time
63	Measures
	1,400Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	119	10	7	97%
	18	28	6	7	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	119	10	7	97%
	18	28	6	7	100%
Cello	25	0	6	7	100%
Kontrebaß	23	0	6	7	100%
Viola	13	0	3	8	92%
Tenor	13	0	3	8	90%
Vln II	12	0	3	8	86%
Alti	12	0	3	8	84%
Bassi	16	0	4	8	79%
Vln I	18	0	5	7	67%
Soprani	17	0	5	7	65%

HWV56N39Z - Break forth into joy

edward.maurath

2:46	Est. Play Time
111	Measures
	1,569Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	151	12	6	97%
	18	3	5	5	88%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	30	151	12	6	97%
	18	3	5	5	88%
Vln 2	25	0	7	6	93%
Vln 1	27	0	10	6	92%
Sop	14	0	5	5	90%
Basso Continuo	17	0	5	5	87%
Celli	17	0	5	5	87%
Contrabass Continuo	17	0	5	5	87%
Alt	11	0	3	5	85%
Bas	15	0	5	5	85%
Vla	16	0	5	5	85%
Ten	13	0	5	5	82%