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Play Time: 2:10 - 3:20
Unique Durations: 1-3
Unique Durations: > 9
Unique Notes: 11 - 15
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edward.maurath
HWV1A3N4 - Du stolzer Erdenkreis!
edward.maurath
2:22 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 29 1 3 89%
Bass 19 19 3 4 100%
Bassoon Continuo Bass 13 0 1 4 100%
Violoncello Continuo Bass 13 0 1 4 92%
Violone Continuo Bass 13 0 1 4 92%
Oboe Treble 15 0 1 4 82%
Tutti Unisoni Treble 15 0 1 4 82%
Bass
as Consalvo		 Bass 11 0 2 5 60%
 
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%
 
BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern
edward.maurath
3:07 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 21 0 8 5 100%
Evangelist 16 0 5 4 77%
Cembalo Continuo Treble 16 30 7 4 67%
Bass 21 2 9 4 72%
Organo Continuo Treble 20 18 6 4 49%
Bass 20 3 5 4 51%
Bass 18 0 5 4 49%
Bassoon Continuo Bass 16 0 3 3 26%
Contrabassi Continuo Bass 16 0 3 3 26%
Oboe 1 Treble 17 0 5 3 26%
Viole 17 0 3 2 26%
Violini 1 Treble 20 0 3 2 26%
Violini 2 Treble 16 0 3 2 26%
Violoncelli Continuo Bass 16 0 3 3 26%
Oboe 2 Treble 17 0 5 3 23%
Alti 11 0 2 5 21%
Bassi Bass 15 0 4 4 21%
Jesus Bass 12 0 2 4 21%
Soprani 10 0 1 4 21%
Tenori 12 0 3 4 21%
Flute 1 Treble 14 0 1 2 13%
Flute 2 Treble 14 0 1 2 13%
 
"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
2:32 Est. Play
Time
107 Measures
2,086Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
View all 19 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Contniuo Treble 19 15 4 6 100%
Bass 20 25 3 6 100%
Basso Continuo Bass 19 0 2 5 100%
Fagotto (Viole) Bass 21 0 2 4 100%
Oboe 1 Treble 15 0 2 5 100%
Oboe 2 Treble 14 0 4 5 100%
Contrabassi Continuo Bass 14 0 2 3 79%
Viole 11 0 2 4 79%
Violini 1 Treble 13 0 2 4 79%
Violini 2 Treble 11 0 2 4 79%
Violoncelli Continuo Bass 14 0 2 3 79%
Corni re Treble 8 0 0 3 73%
Corni sol Treble 7 0 0 3 72%
Bassi Bass 13 0 2 3 69%
Contralti 9 0 1 4 69%
Soprani 13 0 2 4 69%
Tenori 8 0 2 4 69%
Cleopatra 8 0 0 4 23%
Cesare 9 0 2 4 22%
 
HWV56N25 - And with His stripes we are healèd
edward.maurath
3:04 Est. Play
Time
92 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 19 89 7 3 100%
Bass 15 20 5 3 86%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 19 89 7 3 100%
Bass 15 20 5 3 86%
Cello Bass 21 0 6 3 89%
Contrabass Bass 21 0 6 3 89%
Viola 17 0 6 4 82%
Tenor 16 0 6 4 81%
Soprano Treble 15 0 5 4 74%
Violin
I		 Treble 15 0 5 4 74%
Bass Bass 15 0 5 3 70%
Alto 17 0 5 4 67%
Violin
II		 Treble 17 0 6 4 67%
 
HWV17A3N19 - Recitative, "Quì Curio vincitor"
edward.maurath
2:44 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 17 0 7 5 100%
Harpsichord Treble 10 9 3 5 46%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Continuo Bass 17 0 7 5 100%
Harpsichord Treble 10 9 3 5 46%
Bass 19 26 7 5 51%
Cesare Treble 12 0 4 5 45%
Harp Treble 17 20 6 6 42%
Bass 15 16 5 5 44%
Sesto Treble 9 0 4 3 22%
Cornelia 11 0 3 3 18%
Nireno 7 0 0 3 14%
Cleopatra Treble 7 0 2 4 10%
Lute Treble 5 1 1 2 4%
Bass 12 3 5 2 6%
 
K 492: Number 24, "Il caproro e la caprella,"
edward.maurath
3:13 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
Violas 17 0 3 9 99%
Celli Bass 19 0 6 5 98%
Contrabasses Bass 16 0 4 4 90%
Marcellina 14 0 3 11 79%
Harpsichord Treble 11 9 0 4 28%
Bass 13 7 1 4 29%
 
HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major
edward.maurath
2:48 Est. Play
Time
157 Measures
1,037Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
Violoncello Continuo Bass 21 0 4 4 97%
Cesare 15 0 3 6 71%
Violins Treble 22 0 5 7 69%
Kontrebaß Bass 15 0 1 3 43%
Celli Bass 14 0 0 3 41%
 
Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)
edward.maurath
2:17 Est. Play
Time
64 Measures
1,288Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
Bassoon (Violas) 12 0 1 5 100%
Bassoon Continuo Bass 15 0 1 2 100%
Contrabasses Continuo Bass 15 0 1 2 100%
Oboe 1 Treble 15 7 3 6 100%
Oboe 2 Treble 15 0 3 5 100%
Violas 12 0 1 5 100%
Violins 1 Treble 15 7 3 6 100%
Violins 2 Treble 15 0 3 5 100%
Violoncellos Continuo Bass 15 0 1 2 100%
Horn A Treble 9 18 0 5 69%
Horn D Treble 9 18 2 5 69%
Basses Bass 12 1 1 4 41%
CONTRALTOS 11 0 2 3 41%
Sopranos 9 2 2 6 41%
Tenors 9 5 1 3 41%