Active Filters:
Unique Accidentals: 1
Unique Chords: 1-2
Unique Chords: 7-10
Unique Notes: 11 - 15
Unique Notes: 16 - 20
Clear All Filters

Uploaders

edward.maurath
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
HWV8A0N11 - Pingi i trasporti (Apollo) recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 11 7 1 4 100%
Bass 4 0 0 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 11 7 1 4 100%
Bass 4 0 0 2 100%
Apollo 6 0 1 3 100%
Violoncello Bass 4 0 0 2 100%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
HWV 8-B Terpsicore GIGUE
edward.maurath
2:01 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 25 3 8 100%
Bass 11 1 1 6 96%
Violas 11 0 1 6 100%
Violins
1		 Treble 17 0 1 7 100%
Violins
2		 Treble 14 0 3 7 100%
Continuo Bass 11 0 1 6 96%
Contrabass Bass 11 0 1 6 96%
 
HWV56N35 - Let all the angels of God worship him
edward.maurath
1:51 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 13 7 1 6 62%
Bass 16 1 2 7 95%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 13 7 1 6 62%
Bass 16 1 2 7 95%
Cello Continuo Bass 16 0 2 7 95%
Violone Bass 16 0 2 7 95%
Violin
I		 Treble 15 0 2 7 92%
Violin
II		 Treble 18 0 1 7 92%
Alti 10 0 1 8 84%
Soprani 13 0 2 7 84%
Viola 15 0 2 7 84%
Bassi Bass 13 0 2 7 76%
Tenori 13 0 2 6 76%
 
K 492: Number 24, "Il caproro e la caprella,"
edward.maurath
3:13 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
Violas 17 0 3 9 99%
Celli Bass 19 0 6 5 98%
Contrabasses Bass 16 0 4 4 90%
Marcellina 14 0 3 11 79%
Harpsichord Treble 11 9 0 4 28%
Bass 13 7 1 4 29%
 
"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)
edward.maurath
2:34 Est. Play
Time
27 Measures
1,274Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 12 2 6 96%
Bass 17 9 1 5 96%
Harp Contnuo Treble 21 42 3 6 96%
Bass 18 14 2 5 96%
Contrabassi Continuo Bass 14 0 1 5 96%
Violini 1 Treble 19 0 2 6 96%
Violini 2 Treble 19 0 2 6 96%
Violoncelli Continuo Bass 15 0 1 5 96%
Violoncello Continuo Bass 15 0 1 5 96%
Cornelia Contralto 10 0 2 5 78%
 
Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)
edward.maurath
2:17 Est. Play
Time
64 Measures
1,288Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
Bassoon (Violas) 12 0 1 5 100%
Bassoon Continuo Bass 15 0 1 2 100%
Contrabasses Continuo Bass 15 0 1 2 100%
Oboe 1 Treble 15 7 3 6 100%
Oboe 2 Treble 15 0 3 5 100%
Violas 12 0 1 5 100%
Violins 1 Treble 15 7 3 6 100%
Violins 2 Treble 15 0 3 5 100%
Violoncellos Continuo Bass 15 0 1 2 100%
Horn A Treble 9 18 0 5 69%
Horn D Treble 9 18 2 5 69%
Basses Bass 12 1 1 4 41%
CONTRALTOS 11 0 2 3 41%
Sopranos 9 2 2 6 41%
Tenors 9 5 1 3 41%