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edward.maurath

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

HWV 8-B Terpsicore GIGUE

edward.maurath

2:01	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
Violas	11	0	1	6	100%
Violins 1	17	0	1	7	100%
Violins 2	14	0	3	7	100%
Continuo	11	0	1	6	96%
Contrabass	11	0	1	6	96%

"Col tuo piede brilla amor" from "Il Pastor Fido," HWV 8 (3rd version)

edward.maurath

0:42	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	3	100%
Harpsichord	28	28	10	8	84%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	3	100%
Harpsichord	28	28	10	8	84%
	15	0	4	3	71%
Harp	25	25	7	8	83%
	16	1	5	3	71%
Apollo	12	0	4	6	71%
Erato	14	0	3	8	71%

"Occhi belli" from "Il Pastor Fido" HWV 8, 1712

edward.maurath

3:28	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	69	12	7	100%
	20	24	5	5	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	69	12	7	100%
	20	24	5	5	100%
Contrabasses	19	0	4	5	100%
Violins 1	18	0	4	5	100%
Violoncellos	19	0	4	5	100%
Soprano	12	0	4	9	77%

HWV56N05Y1742 - Mesiah - Thus saith the Lord

edward.maurath

1:40	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
Viola	10	0	0	3	94%
Violin I	14	0	2	3	94%
Violin II	13	0	3	3	94%
Violone	18	0	4	3	94%
BC LH	18	20	5	5	90%
BC RH	16	18	5	4	61%

"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)

edward.maurath

2:57	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
Violoncello	22	1	4	7	100%
Mirtillo	15	0	5	8	85%

"Sol dal brando," from "Rinaldo," HWV 7

edward.maurath

2:43	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
Violoncello (Continuo)	19	0	4	5	100%
Alto as Goffredo	16	0	5	7	77%
Contrabasses	16	0	1	4	77%
Violini	16	0	1	4	77%
Violoncellos	16	0	1	3	77%

"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)

edward.maurath

2:20	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
Harpsichord	17	4	6	4	100%
	20	4	6	4	100%
Celli	16	0	5	4	100%
Continuo	16	0	5	4	100%
Contrabasses	15	0	5	4	100%
Violas	14	0	5	4	100%
Vln 1	14	0	5	6	100%
Vln 2	14	0	4	6	100%
Cesare	15	0	6	4	83%

"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)

edward.maurath

2:46	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
Violoncello (Contniuo)	20	0	2	10	96%
Contrabassi (Continuo)	20	0	2	10	80%
Violoncelli (Continuo)	20	0	2	10	80%
Violini 1	16	0	2	9	76%
Violini 2	16	0	3	8	76%
Soprano as Mirtillo	11	0	1	9	72%

HWV56N37 - The Lord gave the word

edward.maurath

1:32	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
Cello	12	0	0	4	92%
Violone	12	0	0	4	92%
Viola	10	0	0	5	88%
Vln I	16	0	1	7	88%
Vln II	16	0	1	5	88%
Bassi	11	0	0	6	84%
Tenori	10	0	1	6	84%
Alti	8	0	0	6	80%
Soprani	10	0	1	6	80%

"Cor ingrato, ti rammembri," from "Rinaldo," HWV 7 (1731)

edward.maurath

1:58	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	23	42	6	7	96%
	24	27	5	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	23	42	6	7	96%
	24	27	5	6	100%
Cello	23	0	5	6	100%
Rinaldo	14	0	3	6	92%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

BWV 21: Sinfonia in c minor

edward.maurath

3:02	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
Contrabasso Continuo	17	0	4	6	100%
Fagatto Continuo	19	0	4	6	100%
Oboe	18	0	8	10	100%
Organo Continuo	13	36	5	6	100%
Viola	11	0	3	7	100%
Violino 1	23	0	7	11	100%
Violino 2	11	0	2	6	100%
Violoncello Continuo	19	0	4	6	100%

HWV56N10 Behold, darkness shall cover the earth

edward.maurath

2:47	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
Cello	14	0	4	4	100%
Viola	16	0	5	4	100%
Violin I	17	0	5	5	100%
Violoncello Continuo	14	0	4	4	100%
Violone	14	0	4	4	100%
Violin II	18	0	6	4	96%
Bass	14	0	3	8	83%

HWV56N38 - "How beautiful are the feet" - 1742

edward.maurath

2:24	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
	15	22	4	5	92%
Violini	18	0	4	8	92%
Contrabasses	16	0	3	5	76%
Violoncelli	17	0	3	5	76%
Soprano	12	0	3	6	68%
Cemballo	17	25	4	5	60%
	14	13	3	5	60%

Seufze, Tränen, Kümmer, Not, from BWV 21

edward.maurath

4:15	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon (Continuo)	21	1	5	5	100%
Oboe	21	1	7	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon (Continuo)	21	1	5	5	100%
Oboe	21	1	7	6	100%
Organo (Continuo)	22	29	8	4	100%
Soprano	17	0	5	4	55%

HWV17A2N25 Sesto & Cornelia, "Ecco in tutto perduta"

edward.maurath

1:29	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	15	0	9	3	100%
Sesto	14	0	7	3	59%
Harp	15	17	7	4	55%
	15	15	12	4	57%
Harpsichord	10	11	3	3	48%
	15	13	8	3	52%
Cornelia	12	0	4	4	48%

HWV56N39 - Their sound is gone out - (1743)

edward.maurath

1:08	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	58	4	4	100%
	16	4	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	58	4	4	100%
	16	4	2	4	100%
Cello Continuo	16	0	2	4	100%
Contrabass	16	0	2	4	100%
Tenor	11	0	2	5	96%

HWV56N24 - Surely He hath bourne our grief

edward.maurath

2:51	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
Organ	16	11	4	7	96%
	22	4	7	8	100%
Cello	22	0	7	8	100%
Contrabass	22	0	7	8	100%
Viola	15	0	4	9	100%
Violin 1	18	0	4	9	100%
Violin 2	13	0	4	8	100%
Alto	9	0	2	8	73%
Bass	15	0	6	9	69%
Soprano	11	0	3	9	69%
Tenor	11	0	3	9	69%

HWV56N05Y1741 - Messiah - Thus saith the Lord

edward.maurath

1:39	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	18	0	4	7	94%
Contrabass	18	0	4	7	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	18	0	4	7	94%
Contrabass	18	0	4	7	94%
Viola	10	0	0	5	94%
Violin I	16	0	3	7	94%
Violin II	13	0	3	5	94%
Harpsichord	21	33	6	7	85%
	18	18	5	7	91%
Basso	13	0	3	6	88%