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edward.maurath

"Dal fulgor di questa spada" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:40	Est. Play Time
107	Measures
	1,037Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	55	7	5	99%
	24	40	5	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	55	7	5	99%
	24	40	5	5	100%
Violoncello Continuo	22	0	5	5	100%
Contrabassi Continuo	21	0	5	4	91%
Violoncelli Continuo	21	0	5	4	91%
Violini	22	1	5	6	88%
Achilla	18	0	6	5	67%

"D'allor trionfante si" from "Il Pastor Fido," HWV 8

edward.maurath

3:15	Est. Play Time
60	Measures
	1,147Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
Violoncello (Continuo)	16	0	9	4	92%
Violini 1	14	0	8	6	80%
Violini 2	14	0	8	6	80%
Contrabassi (Continuo)	14	0	8	4	73%
Violoncelli (Continuo)	14	0	8	4	73%
Soprano as Eurilla	12	0	8	6	68%
Bassoon (Continuo)	9	0	0	3	42%
Bassoon (Viole)	8	0	0	4	42%
Oboe 1	11	0	0	4	42%
Oboe 2	11	0	0	4	42%
Violas	8	0	0	4	42%

"Di goder il bel ch'adoro" from 'Il Pastor Fido," HWV 8 (1712)

edward.maurath

3:19	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
Oboe	11	0	0	7	79%
	10	0	0	5	79%
Violins I	11	0	0	7	79%
Violins II	10	0	0	5	79%
Soprano as Eurilla	14	0	3	8	75%
Bassoon with viola	9	0	0	5	25%
Bassoon (Continuo)	9	0	0	5	25%
Contrabassi (Continuo)	9	0	0	5	25%
Viola	9	0	0	5	25%
Violoncelli (Continuo)	9	0	0	5	25%
Violoncello (Continuo)	9	0	0	5	25%

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

"Risonar mi sento al core" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

3:10	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	57	7	10	94%
	25	37	7	10	100%
Violoncello (Continuo)	22	0	7	10	100%
Basso as Tirenio	15	0	4	7	71%
Contrabassi (Continuo)	18	0	5	7	58%
Violini	20	0	4	8	58%
Violoncelli (Continuo)	19	0	5	7	58%

"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)

edward.maurath

2:57	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	97	10	8	100%
	26	62	6	7	100%
Violoncello	22	1	4	7	100%
Mirtillo	15	0	5	8	85%

"Sol dal brando," from "Rinaldo," HWV 7

edward.maurath

2:43	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	22	43	7	6	100%
	23	31	5	6	100%
Violoncello (Continuo)	19	0	4	5	100%
Alto as Goffredo	16	0	5	7	77%
Contrabasses	16	0	1	4	77%
Violini	16	0	1	4	77%
Violoncellos	16	0	1	3	77%

"Tuio passi son dardi," from "Il Pastor Fido," HWV 8 (1734-1735)

edward.maurath

2:43	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	1	3	5	100%
	20	25	5	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	1	3	5	100%
	20	25	5	6	100%
Organ	16	0	4	8	100%
	15	0	3	5	100%
Continuo	16	0	3	5	100%
Contrabasses	16	0	3	5	100%
Flute	16	0	4	8	100%
Harp	15	0	3	5	100%
Theorbo	15	0	3	5	100%
Violas	14	0	3	5	100%
Violins 1	13	0	3	7	100%
Violins 2	16	0	5	5	100%
Apollo	13	0	4	5	87%
Erato	13	0	4	7	86%

HWV56N02 - Messiah - Comfort ye, my people

edward.maurath

3:17	Est. Play Time
37	Measures
	1,502Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HPSI LH	21	69	3	7	97%
HSC RH	21	57	6	7	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HPSI LH	21	69	3	7	97%
HSC RH	21	57	6	7	97%
VNE	16	1	3	5	95%
Bassoon	13	0	1	4	92%
Bassoon Continuoi	15	0	3	7	92%
Oboi	19	44	4	6	92%
Vcl	15	1	3	5	92%
Vla	13	0	1	5	92%
Vln 1	16	0	3	8	92%
Vln 2	16	0	3	5	92%
Tenor	14	0	4	6	84%

"Ritorni omai nel nostro core" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

2:32	Est. Play Time
107	Measures
	2,086Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Contniuo	19	15	4	6	100%
	20	25	3	6	100%
Basso Continuo	19	0	2	5	100%
Fagotto (Viole)	21	0	2	4	100%
Oboe 1	15	0	2	5	100%
Oboe 2	14	0	4	5	100%
Contrabassi Continuo	14	0	2	3	79%
Viole	11	0	2	4	79%
Violini 1	13	0	2	4	79%
Violini 2	11	0	2	4	79%
Violoncelli Continuo	14	0	2	3	79%
Corni re	8	0	0	3	73%
Corni sol	7	0	0	3	72%
Bassi	13	0	2	3	69%
Contralti	9	0	1	4	69%
Soprani	13	0	2	4	69%
Tenori	8	0	2	4	69%
Cleopatra	8	0	0	4	23%
Cesare	9	0	2	4	22%

"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)

edward.maurath

2:20	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	17	4	6	4	100%
	20	4	6	4	100%
Harpsichord	17	4	6	4	100%
	20	4	6	4	100%
Celli	16	0	5	4	100%
Continuo	16	0	5	4	100%
Contrabasses	15	0	5	4	100%
Violas	14	0	5	4	100%
Vln 1	14	0	5	6	100%
Vln 2	14	0	4	6	100%
Cesare	15	0	6	4	83%

K 492: Number 24, "Il caproro e la caprella,"

edward.maurath

3:13	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	7	8	100%
Violins 2	24	4	7	8	100%
Violas	17	0	3	9	99%
Celli	19	0	6	5	98%
Contrabasses	16	0	4	4	90%
Marcellina	14	0	3	11	79%
Harpsichord	11	9	0	4	28%
	13	7	1	4	29%

"Il Tricerbero humiliato" from "Rinaldo," HWV 7 (1711 and 1717)

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	22	5	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	22	5	9	100%
Contrabasses	22	0	5	9	100%
Violins	22	0	4	9	100%
Violins 2	20	0	4	9	100%
Violoncello	22	0	5	9	100%
Violoncellos	22	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)

edward.maurath

2:46	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo (Continuo)	20	14	3	10	65%
	20	4	2	10	96%
Violoncello (Contniuo)	20	0	2	10	96%
Contrabassi (Continuo)	20	0	2	10	80%
Violoncelli (Continuo)	20	0	2	10	80%
Violini 1	16	0	2	9	76%
Violini 2	16	0	3	8	76%
Soprano as Mirtillo	11	0	1	9	72%

HWV56N43 - Thou shalt break them

edward.maurath

2:18	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	15	66	4	4	100%
	21	39	6	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	15	66	4	4	100%
	21	39	6	4	100%
Cello Continuo	21	0	6	3	100%
Violone	18	0	6	3	100%
Violin	30	0	11	4	88%
Tenor	14	0	3	5	68%

BWV 21: Sinfonia in c minor

edward.maurath

3:02	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	30	7	6	100%
	20	2	5	6	100%
Contrabasso Continuo	17	0	4	6	100%
Fagatto Continuo	19	0	4	6	100%
Oboe	18	0	8	10	100%
Organo Continuo	13	36	5	6	100%
Viola	11	0	3	7	100%
Violino 1	23	0	7	11	100%
Violino 2	11	0	2	6	100%
Violoncello Continuo	19	0	4	6	100%

HWV56N10 Behold, darkness shall cover the earth

edward.maurath

2:47	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
Cello	14	0	4	4	100%
Viola	16	0	5	4	100%
Violin I	17	0	5	5	100%
Violoncello Continuo	14	0	4	4	100%
Violone	14	0	4	4	100%
Violin II	18	0	6	4	96%
Bass	14	0	3	8	83%

HWV56N32 - But Thou didst not leave His soul in hell

edward.maurath

3:12	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	14	0	1	8	100%
	17	2	2	3	98%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	14	0	1	8	100%
	17	2	2	3	98%
Cello	17	0	2	3	98%
Tenor	11	0	1	7	70%
Violin	15	0	1	7	61%

HWV56N38 - "How beautiful are the feet" - 1742

edward.maurath

2:24	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
	15	22	4	5	92%
Violini	18	0	4	8	92%
Contrabasses	16	0	3	5	76%
Violoncelli	17	0	3	5	76%
Soprano	12	0	3	6	68%
Cemballo	17	25	4	5	60%
	14	13	3	5	60%