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edward.maurath
HWV 8A0N03Y1734 Terpsichore "Gran Tonante"
edward.maurath
10:20 Est. Play
Time
69 Measures
1,999Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 110 7 9 98%
Bass 24 0 6 7 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 110 7 9 98%
Bass 24 0 6 7 97%
Violoncello Bass 22 0 6 6 96%
Violoncellos Bass 21 0 6 6 94%
Contrabass Bass 20 0 6 6 94%
Violins
1		 Treble 24 0 8 9 94%
Apollo Treble 17 0 5 11 93%
Violas 17 0 5 7 92%
Violins
2		 Treble 21 0 6 7 92%
Bassoon Bass 16 0 0 4 22%
 
HWV56N22 - Behold the Lamb of God!
edward.maurath
3:15 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
Violin
I		 Treble 17 0 3 8 100%
Violin
II		 Treble 20 0 4 11 100%
Cello Bass 16 0 3 7 97%
Viola 16 0 3 11 97%
VNE Bass 16 0 3 7 97%
Alto 13 0 3 7 81%
Soprano Treble 13 0 3 9 81%
Basso Bass 15 0 3 7 75%
Tenore 14 0 4 8 75%
 
"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)
edward.maurath
2:46 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
Violoncello (Contniuo) Bass 20 0 2 10 96%
Contrabassi (Continuo) Bass 20 0 2 10 80%
Violoncelli (Continuo) Bass 20 0 2 10 80%
Violini 1 Treble 16 0 2 9 76%
Violini 2 Treble 16 0 3 8 76%
Soprano
as Mirtillo		 11 0 1 9 72%
 
BWV 21: Sinfonia in c minor
edward.maurath
3:02 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 30 7 6 100%
Bass 20 2 5 6 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 30 7 6 100%
Bass 20 2 5 6 100%
Contrabasso Continuo Bass 17 0 4 6 100%
Fagatto Continuo Bass 19 0 4 6 100%
Oboe Treble 18 0 8 10 100%
Organo Continuo Treble 13 36 5 6 100%
Viola 11 0 3 7 100%
Violino 1 Treble 23 0 7 11 100%
Violino 2 Treble 11 0 2 6 100%
Violoncello Continuo Bass 19 0 4 6 100%
 
K 492: Number 24, "Il caproro e la caprella,"
edward.maurath
3:13 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
Violas 17 0 3 9 99%
Celli Bass 19 0 6 5 98%
Contrabasses Bass 16 0 4 4 90%
Marcellina 14 0 3 11 79%
Harpsichord Treble 11 9 0 4 28%
Bass 13 7 1 4 29%
 
Harpsichord Concerto Number 4 in A Major, BWV 1055
edward.maurath
15:09 Est. Play
Time
345 Measures
4,527Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo
-
LH		 Bass 33 1 11 4 100%
Cembalo Solo
-
RH		 Treble 32 16 11 11 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo
-
LH		 Bass 33 1 11 4 100%
Cembalo Solo
-
RH		 Treble 32 16 11 11 99%
First Violins Treble 30 0 10 8 94%
Second Violins Treble 22 0 7 7 89%
Viola 26 0 9 6 89%
Violoncello Continuo Bass 26 0 9 4 79%
Violone Continuo Bass 23 0 8 4 79%
 
HWV56N52 - If God be for us, who can be against us?
edward.maurath
4:56 Est. Play
Time
178 Measures
1,919Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
Organ Treble 21 83 7 4 96%
Bass 19 39 7 4 93%
Violoncello Bass 23 0 8 6 96%
Violin Treble 29 0 11 8 78%
Violone Bass 22 0 7 4 72%
Cello Bass 22 0 7 4 71%
Soprano 17 1 7 10 65%
 
Bach: Harpsichord Concerto Number 3 in D Major, BWV 1054
edward.maurath
18:06 Est. Play
Time
391 Measures
5,870Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Left
Hand		 Bass 31 8 12 8 100%
Cembalo Right
Hand		 Treble 35 18 14 10 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Left
Hand		 Bass 31 8 12 8 100%
Cembalo Right
Hand		 Treble 35 18 14 10 99%
First Violin Treble 28 0 11 9 94%
Second Violin Treble 23 0 8 7 93%
Viola 22 0 9 8 91%
Violoncello Continuo Bass 27 0 9 9 84%
Violone Continuo Bass 24 0 8 9 84%
 
Harpsichord Concerto Number 2 in E Major, BWV 1053
edward.maurath
22:35 Est. Play
Time
608 Measures
8,139Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo
-
RH		 Treble 31 22 10 10 100%
Cembalo Solo
-
LH		 Bass 33 12 10 7 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Solo
-
RH		 Treble 31 22 10 10 100%
Cembalo Solo
-
LH		 Bass 33 12 10 7 99%
First Violins Treble 29 1 11 8 86%
Second Violins Treble 25 0 9 7 83%
Viola 27 0 10 7 82%
Violoncello Continuo Bass 26 0 9 5 78%
Violone Continuo Bass 26 0 9 5 78%
 
Ouverture for the opera "Rinaldo," hwv 7
edward.maurath
6:31 Est. Play
Time
83 Measures
2,058Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Solo Treble 16 0 3 10 96%
Oboe Treble 15 0 3 10 95%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Solo Treble 16 0 3 10 96%
Oboe Treble 15 0 3 10 95%
Treble 19 0 4 9 95%
Violin I

 Treble 15 0 3 10 91%
Violin II

 Treble 19 0 4 9 91%
Bassoon

(with
Viola)		 21 0 4 7 89%
Bassoon
(Continuo)		 Bass 21 0 5 7 88%
Cembalo
(Continuo)		 Treble 20 43 4 10 85%
Bass 22 22 6 7 85%
Contrabassi (Continuo) Bass 19 0 5 7 85%
Viola 17 0 4 7 85%
Violoncelli (Continuo) Bass 19 0 5 7 85%
Violoncello (Continuo) Bass 20 0 5 7 84%
Violoncello Solo Bass 17 0 4 2 9%
 
K 492, #25, "Ineque anni"
edward.maurath
5:30 Est. Play
Time
138 Measures
2,207Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 9 11 98%
Violins
2		 Treble 27 3 9 11 98%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 9 11 98%
Violins
2		 Treble 27 3 9 11 98%
Celli Bass 20 0 6 9 95%
Contrabasses Bass 20 0 6 9 95%
Violas 19 7 6 9 95%
Don Basilio 17 0 7 6 91%
Bassoon Bass 22 31 7 8 64%
B♭
Clarinet		 Treble 19 23 6 7 63%
Flute Treble 18 0 6 9 62%
B♭
Horn		 Treble 9 10 0 7 54%
Harpsichord Treble 19 6 3 5 16%
Bass 17 7 2 3 15%