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fredipi

G.B. Pergolesi - Stabat mater, 6. Vidit suum dulcem natum

fredipi

3:16	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	49	9	7	99%
		30	35	11	5	96%
Soprano		16	0	6	9	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	49	9	7	99%
		30	35	11	5	96%
Soprano		16	0	6	9	67%

G.B. Pergolesi - Stabat mater, 10. Fac ut portem Christi mortem

fredipi

2:54	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	39	8	7	100%
		27	29	9	9	93%
Alto		16	0	6	11	65%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	39	8	7	100%
		27	29	9	9	93%
Alto		16	0	6	11	65%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 7

fredipi

3:08	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	47	9	6	95%
		31	13	9	6	84%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	47	9	6	95%
		31	13	9	6	84%
Ténor Soliste		15	0	4	6	56%
Basse		12	0	5	6	38%
Alto		8	0	4	6	36%
Soprano		9	0	3	6	36%
Ténor		6	0	1	6	36%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Basse

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Alto

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Soprano

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	10	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	10	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	6	7	83%
Soprano		17	0	8	7	81%
Basse		14	0	6	5	70%

Hector Berlioz - Grande Messe des Morts, op.5 - 08 Hostias

fredipi

3:19	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
Basse I.		10	0	4	7	65%
Basse II.		9	0	2	7	65%
Ténor I.		9	0	3	7	65%
Ténor II.		9	0	3	7	65%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Tenor

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Brahms_Johannes - 9 Lieder and Songs Op.32 No.2 - Nicht mehr zu dir zu gehen

fredipi

2:30	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		26	22	7	8	58%
		28	19	7	5	100%
Singstimme Voice		13	0	4	6	75%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		26	22	7	8	58%
		28	19	7	5	100%
Singstimme Voice		13	0	4	6	75%

Rossini - Messe Solennelle - 9. Crucifixus

fredipi

2:31	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	60	10	3	100%
		36	17	14	2	54%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	60	10	3	100%
		36	17	14	2	54%
Soprano		18	0	7	9	94%
Orgue		23	30	10	5	87%
		22	32	8	3	89%

Robert Schumann: Frauenliebe und Leben - Op 42 No. 8 "Nun hast du mir den ersten Schmerz getan"

fredipi

3:02	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	9	9	92%
		32	37	13	9	95%
Voice		14	0	6	7	51%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	9	9	92%
		32	37	13	9	95%
Voice		14	0	6	7	51%

Franz Schubert: Die schöne Müllerin - D 795 N°12 "Pause"

fredipi

2:41	Est. Play Time
81	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	45	9	8	100%
		21	38	8	7	100%
Singstimme.		15	0	6	8	73%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	45	9	8	100%
		21	38	8	7	100%
Singstimme.		15	0	6	8	73%

Franz Schubert: Schwanengesang - D 957 N° 11 "Die Stadt"

fredipi

2:53	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		31	33	14	7	88%
		14	8	0	8	100%
Singstimme.		16	0	5	8	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		31	33	14	7	88%
		14	8	0	8	100%
Singstimme.		16	0	5	8	68%

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