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Brahms Johannes - 9 Lieder und Gesänge Op.63 No.3 - An ein Bild

fredipi

2:28	Est. Play Time
59	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	67	8	5	88%
		27	19	6	6	92%
Singstimme Voice		14	0	4	4	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	67	8	5	88%
		27	19	6	6	92%
Singstimme Voice		14	0	4	4	95%

G.B. Pergolesi - Stabat mater, 8. Fac ut ardeat cor meum

fredipi

2:22	Est. Play Time
72	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprani		16	0	5	6	96%
Alti		11	0	2	6	93%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprani		16	0	5	6	96%
Alti		11	0	2	6	93%
Violino I/II Viola Violoncello Contrabasso e organo		26	40	8	6	91%
		32	27	10	4	93%

Caldara, Antonio - Mass in E minor (Dolorosa), Kyrie.

fredipi

5:12	Est. Play Time
148	Measures
	1,081Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I. e II Viola Organo e Basso		28	44	12	11	87%
		27	30	11	8	93%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I. e II Viola Organo e Basso		28	44	12	11	87%
		27	30	11	8	93%
Basse		20	0	8	8	60%
Soprano		17	0	7	8	60%
Alto		16	0	5	8	54%
Ténor		14	0	3	8	51%

Bach - Matthäus Passion BWV 244 - 33 Duetto e Coro - SoIst mein Jesus

fredipi

4:25	Est. Play Time
137	Measures
	1,746Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	37	15	5	100%
		32	120	12	7	96%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	37	15	5	100%
		32	120	12	7	96%
Basse Coro II		19	0	5	4	51%
Basse Coro I		21	0	6	4	50%
Ténor Coro II		16	0	4	4	48%
Ténor Coro I		17	0	5	4	47%
Alto Coro II		17	0	4	4	45%
Alto Coro I		18	0	5	5	44%
Soprano Coro II		18	0	6	4	42%
Soprano Coro I		19	0	6	4	41%
Soprano Solo Cori I		15	0	5	6	33%
Alto Solo Cori I		17	0	6	7	32%

Franz Schubert: Die schöne Müllerin - D 795 No 20 "Des Baches Wiegenlied"

fredipi

2:28	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	12	3	5	100%
		18	6	2	5	100%
Hautbois		10	0	2	6	83%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	12	3	5	100%
		18	6	2	5	100%
Hautbois		10	0	2	6	83%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 4 Alto

fredipi

3:14	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
Ténor		9	1	1	6	98%
Basse		11	1	3	5	98%
Alto		10	0	3	6	98%
Soprano		11	0	3	6	98%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 4 Tenor

fredipi

3:14	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
Tenor		9	1	1	6	98%
Basse		11	1	3	5	98%
Alto		10	0	3	6	98%
Soprano		11	0	3	6	98%

Georges F. Root, The Star of Bethlehem - pupitre Tenor

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	1	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	3	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Basse

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	1	6	87%
Basse		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	1	6	87%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Alto

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Tenor

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Basse

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Hector Berlioz - Grande Messe des Morts, op.5 - 08 Hostias

fredipi

3:19	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
Basse I.		10	0	4	7	65%
Basse II.		9	0	2	7	65%
Ténor I.		9	0	3	7	65%
Ténor II.		9	0	3	7	65%

Brahms_Johannes - 9 Lieder and Songs Op.32 No.2 - Nicht mehr zu dir zu gehen

fredipi

2:30	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		26	22	7	8	58%
		28	19	7	5	100%
Singstimme Voice		13	0	4	6	75%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		26	22	7	8	58%
		28	19	7	5	100%
Singstimme Voice		13	0	4	6	75%

Georges F. Root, The Star of Bethlehem - pupitre Alto

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	4	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	2	6	87%
Tenor		9	0	1	6	87%

Georges F. Root, The Star of Bethlehem - pupitre Soprano

fredipi

3:05	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	2	6	20%
		16	23	2	6	98%
		7	4	0	3	13%
		19	12	2	4	95%
Alto		10	0	2	6	87%
Bass		10	0	1	6	87%
Soprano		13	1	3	6	87%
Tenor		9	0	1	6	87%

Franz Biebl - Ave Maria in B-flat major - for trio, SA., T. or B., Mixed Chorus, SATB, a capella

fredipi

7:18	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse		10	4	1	5	96%
Alto		14	0	3	5	89%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse		10	4	1	5	96%
Alto		14	0	3	5	89%
		11	0	2	5	96%
Ténor		8	0	1	5	96%
Soprano		12	0	2	5	77%
		10	0	1	5	95%
Tenor (Baryton)		12	0	3	5	89%
Ténor solo		8	0	0	2	3%
Basse Solo		7	0	0	2	1%

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