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papisenior

Panis Angelicus

papisenior

2:41	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	13	0	2	8	100%
Alto	17	0	4	8	94%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	13	0	2	8	100%
Alto	17	0	4	8	94%
Bass	17	2	5	8	90%
Tenor	9	0	2	7	87%

Geistliches Lied, Op. 30 Brahms - Tutti

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Jésus est le chemin

papisenior

4:01	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	0	0	6	63%
Tenor	4	0	2	6	51%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	0	6	63%
Tenor	4	2	6	51%
Alto	7	0	6	33%
Bass	10	2	6	24%

Geistliches Lied, Op. 30 Brahms - Soprani

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Alti

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
Fl.	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Basses

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
Bass	14	2	6	73%
Orgue	15	3	5	50%

De Camargo... Tutti

papisenior

2:34	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	0	1	5	100%
	9	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	1	5	100%
	9	1	5	100%
Hautbois	11	2	6	97%
Basson	14	3	6	91%

Music for the funeral of the Queen Mary- Tutti

papisenior

5:28	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	0	6	5	100%
Soprano	16	0	5	9	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	6	5	100%
Soprano	16	5	9	97%
Mezzo-soprano	15	6	9	95%
Basse	21	6	7	92%
Ténor	16	4	9	89%

Geistliches Lied, Op. 30 Brahms - Ténors

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Music for the funeral of the Queen Mary - Alto dominante

papisenior

5:28	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	0	6	5	100%
Soprano	16	0	5	9	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	6	5	100%
Soprano	16	5	9	97%
Mezzo-soprano	15	6	9	95%
Basse	21	6	7	92%
Ténor	16	4	9	89%

Music for the funeral of the Queen Mary - Basse dominante

papisenior

5:28	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	0	6	5	100%
Soprano	16	0	5	9	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	6	5	100%
Soprano	16	5	9	97%
Mezzo-soprano	15	6	9	95%
Basse	21	6	7	92%
Ténor	16	4	9	89%

Music for the funeral of the Queen Mary - Soprano dominante

papisenior

5:28	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	0	6	5	100%
Soprano	16	0	5	9	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	6	5	100%
Soprano	16	5	9	97%
Mezzo-soprano	15	6	9	95%
Basse	21	6	7	92%
Ténor	16	4	9	89%

De Camargo... Soprani

papisenior

1:16	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	0	1	5	100%
	9	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	1	5	100%
	9	1	5	100%
Hautbois	11	2	6	97%
Basson	14	3	6	91%

III- Missa Brevis -J. Haydn (et piano) Sanctus

papisenior

0:37	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	16	5	6	95%
	16	1	5	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	16	5	6	95%
	16	1	5	6	100%
Basse	15	0	5	6	97%
Tenor	10	0	2	5	97%
Alto	12	0	2	5	90%
Soprano	10	0	2	5	87%

De Camargo...Alti

papisenior

1:16	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	0	1	5	100%
	9	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	1	5	100%
	9	1	5	100%
Hautbois	11	2	6	97%
Basson	14	3	6	91%

De Camargo...Ténors

papisenior

2:34	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	0	1	5	100%
	9	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	1	5	100%
	9	1	5	100%
Hautbois	11	2	6	97%
Basson	14	3	6	91%

De Camargo...Basses

papisenior

1:16	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	0	1	5	100%
	9	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flûte	9	1	5	100%
	9	1	5	100%
Hautbois	11	2	6	97%
Basson	14	3	6	91%

Music for the funeral of the Queen Mary - Ténor dominante

papisenior

5:34	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	0	6	5	100%
Soprano	16	0	5	9	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgue	21	6	5	100%
Soprano	16	5	9	97%
Mezzo-soprano	15	6	9	95%
Basse	21	6	7	92%
Ténor	16	4	9	89%

Quién Fuera Como El Jazmín - Basse

papisenior

3:36	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
Sopr.	16	0	7	5	57%
Alto	11	0	3	5	52%

Quién Fuera Como El Jazmín - Alto

papisenior

3:36	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	6	77%
	21	6	6	6	62%
Sopr.	16	0	7	5	57%
Alto	11	0	3	5	52%