Play Along Piano

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Hoc est præceptum meum Francisco Guerrero

pental

5:30	Est. Play Time
124	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	4	7	98%
Soprano I	16	0	5	6	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	4	7	98%
Soprano I	16	5	6	92%
Soprano II	16	5	7	88%
Tenore	11	2	7	85%
Basso	14	4	7	81%

Que n' est elle aupres de moy Pierre Certon

pental

2:24	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	4	5	94%
Basso	10	0	2	6	91%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	4	5	94%
Basso	10	2	6	91%
Soprano	10	2	6	89%
Tenore	8	0	7	85%

Per signum crucis Francisco Guerrero

pental

2:33	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	2	7	98%
Soprano	10	0	1	7	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	2	7	98%
Soprano	10	1	7	95%
Tenore	12	3	6	88%
Basso	11	1	5	84%

pental

3:42	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	12	0	2	7	96%
Bassus	15	0	3	7	90%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	12	2	7	96%
Bassus	15	3	7	90%
Tenor	11	1	7	90%
Superius	10	3	6	79%
Canon 2	8	1	6	58%
Canon 1	7	0	6	52%

Calvisius Veni sancte Spiritus

pental

5:20	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	7	100%
Bassus	13	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	7	100%
Bassus	13	3	6	100%
Cantus	13	4	6	100%
Tenor	12	2	7	100%

pental

2:11	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	6	93%
Tenor	12	0	3	6	93%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	6	93%
Tenor	12	3	6	93%
Soprano I	13	3	6	81%
	10	2	6	87%
Bass	12	2	6	52%

5. Sanctus Missa Pro Defunctis a 4 de Morales

pental

2:59	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	0	2	5	98%
Tenor 1	12	0	2	5	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	2	5	98%
Tenor 1	12	2	5	97%
Tenor 2	12	2	6	95%
Bassus	10	1	5	93%
Voice	2	0	1	1%

Le Rosssignol Clément Janequin (1485-1558)

pental

2:36	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	2	6	100%
Bass	11	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	2	6	100%
Bass	11	1	6	100%
Tenor	10	1	6	100%
Soprano	12	3	5	97%

pental

2:48	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor I	9	0	2	5	96%
Tenor II	11	0	2	6	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor I	9	2	5	96%
Tenor II	11	2	6	96%
Altus	8	2	5	93%
Bassus	11	2	3	91%
Voice	6	0	1	4%