Play Along Piano

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Tears Ivor Gurney

pental

2:38	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	56	11	7	100%
	27	42	8	5	84%
Voice	16	0	6	7	81%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	56	11	7	100%
	27	42	8	5	84%
Voice	16	0	6	7	81%

Holms_Augusta_Mary_Anne_-_Les_Sept_Ivresses_No.1_-_LAmour

pental

2:56	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	38	11	8	75%
	36	20	17	8	96%
Chant Voice	19	0	10	9	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	38	11	8	75%
	36	20	17	8	96%
Chant Voice	19	0	10	9	90%

V. In Dreams Ralph Vaughan Williams

pental

2:21	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	38	11	5	96%
	29	14	15	5	96%
Voice	16	0	8	7	84%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	38	11	5	96%
	29	14	15	5	96%
Voice	16	0	8	7	84%

III. The Roadside Fire Ralph Vaughan Williams

pental

2:30	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	48	18	9	96%
	40	10	15	8	94%
Voice	15	0	5	7	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	48	18	9	96%
	40	10	15	8	94%
Voice	15	0	5	7	82%

Cantabo in Domino in vita mea

pental

3:16	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	13	0	4	7	76%
	13	0	5	6	86%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	13	4	7	76%
	13	5	6	86%
Altus	11	4	6	80%
	12	3	7	73%
Basis	15	5	6	80%
Bass	14	3	6	71%
Tenor	14	4	6	69%

III. The Roadside Fire Ralph Vaughan Williams

pental

2:30	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	48	18	9	96%
	40	10	15	8	94%
Voice	15	0	5	7	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	48	18	9	96%
	40	10	15	8	94%
Voice	15	0	5	7	82%

Wiegenlied Max Reger

pental

3:18	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	42	12	3	100%
	37	58	17	4	100%
Voice	14	0	5	4	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	42	12	3	100%
	37	58	17	4	100%
Voice	14	0	5	4	91%

Le Rosssignol Clément Janequin (1485-1558)

pental

2:36	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	2	6	100%
Bass	11	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	2	6	100%
Bass	11	1	6	100%
Tenor	10	1	6	100%
Soprano	12	3	5	97%

Spleen Gabriel Fauré

pental

2:10	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	0	6	6	87%
	27	9	7	6	98%
Chant	12	0	3	5	80%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	0	6	6	87%
	27	9	7	6	98%
Chant	12	0	3	5	80%

Mignonne Richard Wagner

pental

2:45	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	55	9	5	96%
	26	35	11	5	67%
Voice	18	0	6	5	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	55	9	5	96%
	26	35	11	5	67%
Voice	18	0	6	5	91%

Sweet honey-sucking bees John Wilbye (1574-1638)

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2:11	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	6	93%
Tenor	12	0	3	6	93%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	6	93%
Tenor	12	3	6	93%
Soprano I	13	3	6	81%
	10	2	6	87%
Bass	12	2	6	52%

5. Sanctus Missa Pro Defunctis a 4 de Morales

pental

2:59	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	0	2	5	98%
Tenor 1	12	0	2	5	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	2	5	98%
Tenor 1	12	2	5	97%
Tenor 2	12	2	6	95%
Bassus	10	1	5	93%
Voice	2	0	1	1%

Come again Dowland

pental

3:00	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	19	2	6	88%
	13	4	0	6	100%
Voice	9	0	0	7	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	19	2	6	88%
	13	4	0	6	100%
Voice	9	0	0	7	89%

It was a lover and his lass

pental

2:41	Est. Play Time
157	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	75	11	6	95%
	32	49	9	6	99%
Voice	17	0	4	6	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	75	11	6	95%
	32	49	9	6	99%
Voice	17	0	4	6	93%

VI. Agnus Dei Missa Pro Defunctis a 4 de Morales

pental

2:48	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor I	9	0	2	5	96%
Tenor II	11	0	2	6	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor I	9	2	5	96%
Tenor II	11	2	6	96%
Altus	8	2	5	93%
Bassus	11	2	3	91%
Voice	6	0	1	4%