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pental
Handel Andante Siebente Suite in g moll - HWV 432
pental
3:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 1 7 6 100%
Bass 21 0 5 4 100%
 
Les Abeilles
pental
1:22 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 2 1 4 100%
Treble 22 0 2 5 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 2 1 4 100%
Treble 22 0 2 5 94%
 
J.S. Bach Partita No.3 4. Sarabande
pental
3:54 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 0 7 7 90%
Bass 24 0 7 4 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 0 7 7 90%
Bass 24 0 7 4 97%
 
Franz_Robert_-_12_Gesnge_Op.1_No.3_-_Die_Lotosblume
pental
2:16 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 7 10 2 51%
Bass 23 0 9 2 100%
Singstimme Voice Treble 14 0 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 7 10 2 51%
Bass 23 0 9 2 100%
Singstimme Voice Treble 14 0 5 5 95%
 
Bach, J.S., Aria (bass): Nichts ist es spat und frühe (G minor)
pental
3:36 Est. Play
Time
97 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Violoncello Contibuo Bass 26 0 8 5 100%
Baritone Bass 17 0 6 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Violoncello Contibuo Bass 26 0 8 5 100%
Baritone Bass 17 0 6 5 68%
 
Elisabeth Jacquet de la Guerre Gigue
pental
1:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
 
Handel, G.F., O Sing unto the Lord a New Song
pental
3:11 Est. Play
Time
60 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 35 9 7 99%
Bass 27 19 7 7 93%
Organ Treble 27 0 5 5 100%
Oboe Treble 17 0 5 7 98%
Violino
I		 Treble 22 0 6 7 98%
Canto Treble 15 0 4 8 95%
Bassoon Bass 17 0 4 5 93%
Violino
II		 Treble 25 0 8 6 93%
Violoncello Bass 21 0 5 5 93%
Contrabass Bass 20 0 4 5 92%
Basso Bass 16 0 5 8 90%
Tenore Treble 16 0 6 7 78%
 
concerto for flute Allegro CPE Bach
pental
7:36 Est. Play
Time
343 Measures
2,235Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Traverso Treble 30 0 12 8 98%
Basso Bass 27 0 9 5 92%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Traverso Treble 30 0 12 8 98%
Basso Bass 27 0 9 5 92%
Violino
1		 Treble 34 0 13 8 83%
Violino
2		 Treble 33 0 13 8 78%
Viola 25 0 8 5 69%
 
J.S. Bach Partita No.3 1. Fantasia
pental
1:42 Est. Play
Time
120 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 10 5 100%
Bass 30 0 11 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 10 5 100%
Bass 30 0 11 3 100%
 
Gigue
pental
1:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
 
Missa brevis Sancti Joannis J. Haydn 03 Credo
pental
3:23 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 27 2 9 7 100%
Violino
II		 Treble 26 2 7 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 27 2 9 7 100%
Violino
II		 Treble 26 2 7 7 100%
Organo Violoncello e
Basso		 Bass 23 0 7 4 98%
Basso Bass 19 0 6 7 94%
Tenore Treble 17 0 5 7 87%
Alto Treble 14 0 4 7 85%
Soprano Treble 17 0 5 7 85%
 
Elisabeth Jacquet de la Guerre 2e Courante
pental
1:30 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 7 4 6 100%
Bass 23 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 7 4 6 100%
Bass 23 0 4 5 80%
 
J.P. Rameau, Suite en Sol, Les Sauvages
pental
1:46 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 6 5 100%
Bass 24 9 6 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 0 6 5 100%
Bass 24 9 6 6 93%
 
Franz_Robert_-_12_Gesnge_Op.1_No.3_-_Die_Lotosblume
pental
2:16 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 7 10 2 51%
Bass 23 0 9 2 100%
Singstimme Voice Treble 14 0 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 7 10 2 51%
Bass 23 0 9 2 100%
Singstimme Voice Treble 14 0 5 5 95%
 
Elisabeth Jacquet de la Guerre Gigue
pental
1:55 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 3 6 7 91%
Bass 22 0 4 5 80%
 
Missa brevis Sancti 02 Gloria Joseph Haydn
pental
0:37 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 20 0 4 4 100%
Violino
II		 Treble 21 0 3 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
I		 Treble 20 0 4 4 100%
Violino
II		 Treble 21 0 3 4 100%
Organo Violoncello e
Basso		 Bass 15 0 3 3 94%
Alto Treble 11 0 2 5 90%
Basso Bass 12 0 2 7 90%
Soprano Treble 10 0 1 6 90%
Tenore Treble 7 0 0 6 90%
 
Bruckner_Anton_-_Symphony_No._5_Movement_3a_Scherzo_only
pental
8:14 Est. Play
Time
382 Measures
6,048Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violinen
I		 Treble 39 0 18 5 94%
Violen 34 2 16 5 90%
View all 25 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violinen
I		 Treble 39 0 18 5 94%
Violen 34 2 16 5 90%
Violinen
II		 Treble 34 5 17 5 90%
Violoncellos Bass 33 1 15 5 83%
Kontrabässe Bass 28 0 12 4 76%
Oboe
1		 Treble 23 0 11 5 61%
Flöte
1		 Treble 20 0 10 5 59%
Klarinette
1
in
B		 Treble 27 0 11 5 56%
Oboe
2		 Treble 25 0 11 5 54%
Horn
1
in
F		 Treble 22 0 8 5 54%
Klarinette
2
in
B		 Treble 30 0 12 5 52%
Flöte
2		 Treble 19 0 7 5 51%
Trompete
1
in
F		 Treble 20 0 7 5 44%
Pauken Bass 3 0 0 3 43%
Horn
2
in
F		 Treble 20 0 7 5 42%
Horn
3
in
F		 Treble 26 0 9 5 41%
Trompete
2
in
F		 Treble 18 0 6 5 38%
Fagott
1		 Bass 31 0 13 5 37%
Fagott
2		 Bass 30 0 12 5 34%
Horn
4
in
F		 Treble 26 0 9 5 34%
Altposaune 16 0 7 5 32%
Tenorposaune 14 0 4 5 32%
Trompete
3
in
F		 Treble 19 0 9 5 32%
Bassposaune Bass 19 0 6 5 31%
Bass
Tuba		 Bass 15 0 4 4 17%