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Johannes Brahms

Johannes Brahms

1:04	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	8	8	5	82%
	26	6	8	4	95%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	8	8	5	82%
	26	6	8	4	95%
Piano II	25	25	11	5	100%
Piano I	30	6	10	5	100%
Tenor	14	0	5	5	91%

Ihr Schwarzen Augen, Op. 65, No. 4

Johannes Brahms

0:48	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	5	6	3	100%
	14	7	0	2	89%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	5	6	3	100%
	14	7	0	2	89%
Piano II	18	27	6	2	94%
Piano I	9	0	2	4	83%
Bass	14	0	4	4	90%

Johannes Brahms

1:04	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1	21	3	9	4	100%
	22	3	9	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1	21	3	9	4	100%
	22	3	9	4	100%
Piano 2	14	8	2	2	95%
	19	24	7	5	97%
Alt	11	0	6	5	91%
Bass	10	0	5	3	91%
Sopran	12	0	5	5	91%
Tenor	9	0	3	3	91%

Nun stehn die Rosen, Op. 44, No. 7

Johannes Brahms

0:58	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano ad libitum	13	19	3	3	85%
	15	6	2	3	85%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano ad libitum	13	19	3	3	85%
	15	6	2	3	85%
Alto I	11	0	3	5	100%
Alto II	9	0	1	5	100%
Soprano I	11	0	3	5	100%
Soprano II	8	0	1	5	100%

Die Berge sind spitz, Op. 44, No. 8

Johannes Brahms

0:16	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano ad libitum	18	18	3	2	78%
	15	3	1	2	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano ad libitum	18	18	3	2	78%
	15	3	1	2	100%
Alto I	9	0	2	5	100%
Alto II	9	0	1	4	100%
Soprano I	7	0	0	4	100%
Soprano II	8	0	2	4	100%

Wohl schön bewandt war es, Op. 52, No. 7

Johannes Brahms

1:12	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1	6	0	2	4	28%
	21	0	8	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano 1	6	0	2	4	28%
	21	0	8	5	100%
Piano 2	14	5	6	1	98%
	18	24	8	3	69%
Sopran	15	0	7	5	96%

Johannes Brahms

0:47	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (for rehearsal only)	17	24	5	5	100%
	11	6	1	5	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (for rehearsal only)	17	24	5	5	100%
	11	6	1	5	100%
Alto	10	0	2	5	100%
Bass	11	0	1	5	100%
Soprano	11	0	1	5	100%
Tenor	12	0	2	5	100%

Johannes Brahms

6:06	Est. Play Time
148	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto II	20	8	10	10	96%
Tenor	17	3	7	16	92%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto II	20	8	10	10	96%
Tenor	17	3	7	16	92%
Soprano	19	11	8	14	90%
Bass II	20	5	9	8	81%
Alto I	14	4	4	11	35%
Bass I	17	0	5	10	28%

Johannes Brahms

0:01	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	3	5	5	95%
	19	9	6	2	95%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	3	5	5	95%
	19	9	6	2	95%
Piano II	20	14	7	2	100%
Piano I	14	0	6	4	95%
Soprano	13	0	5	3	87%