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Measures: 60 - 150

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SDG
5. Der Lindenbaum, Schubert. For low voice. Für tiefe Stimme. Fast version!!
SDG
5:24 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
"Wo soll ich fliehen hin?" (BWV 5, #1)
SDG
3:53 Est. Play
Time
78 Measures
2,824Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
Continuo Bass 25 0 9 3 100%
Contrabass Bass 25 0 9 3 100%
Oboe
I.		 Treble 24 0 8 5 100%
Oboe
II.		 Treble 22 0 8 4 100%
Violino
I		 Treble 25 0 8 5 100%
Violino
II.		 Treble 21 0 7 5 100%
Viola 18 0 5 4 97%
Alto 13 0 4 6 42%
Tenore 13 0 4 5 40%
Basso Bass 20 0 6 4 37%
Soprano 6 0 0 2 37%
Tromba
da
tirarsi col
soprano		 6 0 0 2 37%
 
4. Erstarrung, die Winterreise, Schubert.
SDG
2:53 Est. Play
Time
109 Measures
1,135Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 30 3 12 8 100%
Bass 34 20 13 9 100%
Voice Treble 15 0 5 6 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 30 3 12 8 100%
Bass 34 20 13 9 100%
Voice Treble 15 0 5 6 87%
 
Cantique de Jean Racine
SDG
4:35 Est. Play
Time
89 Measures
2,528Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ
II		 Treble 25 16 9 6 89%
Bass 17 0 4 4 80%
View all 18 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ
II		 Treble 25 16 9 6 89%
Bass 17 0 4 4 80%
Bass 26 1 7 6 99%
Pipe
Organ		 Treble 25 9 9 6 89%
Bass 20 0 6 4 87%
Bass 32 9 10 6 96%
Bass Bass 16 0 5 8 76%
Bass
II		 Bass 16 0 5 8 76%
Bass
III		 Bass 16 0 5 8 76%
Tenor Treble 15 0 5 6 73%
Tenor
II		 Treble 15 0 5 6 73%
Tenor
III		 Treble 15 0 5 6 73%
Alto Treble 14 0 5 6 64%
Alto
II		 Treble 14 0 5 6 64%
Alto
III		 Treble 14 0 5 6 64%
Soprano Treble 14 0 3 6 57%
Soprano
II		 Treble 14 0 3 6 57%
Soprano
III		 Treble 14 0 3 6 57%
 
Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.
SDG
6:35 Est. Play
Time
129 Measures
3,658Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 21 0 7 5 96%
Organo
e
Continuo		 Treble 0 0 0 0 0%
Bass 21 0 7 5 96%
Violoncello Bass 21 0 7 5 96%
Viola 23 0 8 5 89%
Violino
II		 Treble 23 0 8 5 89%
Violino
I		 Treble 26 0 10 6 88%
Alto 17 0 7 6 77%
Soprano 20 0 8 6 77%
Tenore 18 0 6 6 77%
Flauto traverso
I,II		 Treble 23 0 8 6 73%
Basso Bass 18 0 7 5 67%
Oboe
I/II		 Treble 23 0 8 6 60%
 
Cantique de Jean Racine, a score focused on the organ accompaniment (4 pages printout, just for organ!), Gabriel Fauré
SDG
4:33 Est. Play
Time
89 Measures
2,590Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
English
Horn		 Treble 31 8 9 6 89%
Oboe Treble 31 8 9 6 89%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
English
Horn		 Treble 31 8 9 6 89%
Oboe Treble 31 8 9 6 89%
Pipe
Organ		 Bass 31 8 9 6 89%
Piccolo Treble 25 9 9 6 89%
Treble 24 9 6 6 80%
Flute Treble 25 9 9 6 89%
Organ Manual
I		 Treble 25 9 9 6 89%
Contrabassoon Bass 20 0 6 4 87%
Pedal Bass 20 0 6 4 87%
Organ Manual
II		 Bass 28 9 7 6 80%
T B Bass 23 0 7 8 77%
S A Treble 18 0 5 6 69%
 
Honour Him alone. From knowing it by heart. From my head. Uit het hoofd.
SDG
1:41 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 0 5 100%
Bass Bass 10 0 1 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 7 0 0 5 100%
Bass Bass 10 0 1 5 100%
Soprano Treble 9 0 1 5 100%
Tenor Bass 8 0 1 5 100%
 
5. Der Lindenbaum, Schubert. For low voice. Slow version (for practice). Für tiefe Stimme.
SDG
0:01 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
God had ons zo lief, Nederlandse versie van God so loved the world, by John Stainer. Tekst: Gertim (SDG)
SDG
4:00 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon,
Bass		 Bass 21 0 6 7 99%
Voice Treble 20 0 6 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon,
Bass		 Bass 21 0 6 7 99%
Voice Treble 20 0 6 7 98%
 
'k Ben reizend naar die stad. I'm travelling to that town. Arrangement: Gertim (SDG).
SDG
2:51 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%
 
De herdertjes lagen bij nachte, by Patrick Hopper (with approval)
SDG
2:59 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
of

Orgel		 Treble 25 58 7 5 98%
Bass 38 38 10 6 92%
SOP ALT Treble 20 0 6 4 99%
TEN BAS Bass 22 0 4 4 80%
 
Gott sei mir gnädig dieser Zeit, Josef Rheinberger, WoO 50
SDG
4:17 Est. Play
Time
103 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 19 0 6 4 98%
Soprano
II		 Treble 18 0 7 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 19 0 6 4 98%
Soprano
II		 Treble 18 0 7 5 97%
Alto Treble 17 0 6 4 96%
Tenore
II		 Treble 17 0 5 4 88%
TENORE
I		 Treble 15 0 5 4 84%
Soprano Treble 14 0 4 4 72%
 
5. Der Lindenbaum, die Winterreise, Schubert. Only piano (for accompaniment)
SDG
5:24 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Right
Hand		 Bass 27 32 11 10 100%
Piano,
Left
Hand		 Bass 23 23 4 10 89%
Voice Treble 11 0 3 7 76%
 
Domine Deus, Hohe Messe Bach, BWV 232.
SDG
5:25 Est. Play
Time
95 Measures
1,868Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 10 4 100%
Contrabass Bass 26 0 10 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 26 0 10 4 100%
Contrabass Bass 26 0 10 4 100%
Flauto
Traverso		 Treble 26 0 8 5 89%
Violino
I		 Treble 28 0 9 7 68%
Tenore 18 0 5 7 64%
Soprano 18 0 7 7 63%
Violino
II		 Treble 24 0 8 5 62%
Viola 22 0 7 6 61%
 
J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..
SDG
3:53 Est. Play
Time
78 Measures
3,570Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
View all 23 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
Continuo Bass 25 0 9 3 100%
Contrabass Bass 25 0 9 3 100%
Contrabassoon Bass 25 0 9 3 100%
Oboe
I.		 Treble 24 0 8 5 100%
Oboe
II.		 Treble 22 0 8 4 100%
Violino
I		 Treble 25 0 8 5 100%
Violino
II.		 Treble 21 0 7 5 100%
Viola 18 0 5 4 97%
Alto Treble 13 0 4 6 42%
Treble 13 0 4 6 42%
13 0 4 6 42%
Tenor Treble 13 0 4 5 40%
Treble 13 0 4 5 40%
Tenore 13 0 4 5 40%
Soprano Treble 6 0 0 2 37%
Treble 6 0 0 2 37%
6 0 0 2 37%
Bass Bass 20 0 6 4 37%
Bass 20 0 6 4 37%
Basso Bass 20 0 6 4 37%
Tromba
da
tirarsi col
soprano		 6 0 0 2 37%
 
Panis Angelicus. Transposed to A major (on request).
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
Lamb of God. Twila Paris. SATB. Own arrangement.
SDG
4:26 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 4 100%
Tenor/Bass Bass 17 1 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 4 100%
Tenor/Bass Bass 17 1 1 5 100%
 
'k Ben reizend naar die stad. Geen smart meer daar omhoog. There'll be no sorrow there. Dunbar
SDG
2:51 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%