Play Along Piano

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Thomas Morley

Lo, she flies

Thomas Morley

2:24	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	6	97%
Alto	13	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	6	97%
Alto	13	2	6	100%
Soprano I	14	4	6	94%
Tenor	13	3	6	86%
Bass	12	1	6	75%

Ladies, you see time flieth

Thomas Morley

2:19	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	3	6	72%
	12	0	4	6	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	3	6	72%
	12	4	6	88%
Soprano I	14	4	6	93%
Alto	12	3	6	88%
Tenor	7	0	6	82%
Bass	10	2	6	71%

Good Love, then fly thou to her

Thomas Morley

4:20	Est. Play Time
127	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	3	6	74%
	16	0	5	6	80%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	3	6	74%
	16	5	6	80%
Tenor I	17	4	6	87%
Alto	16	5	6	86%
Soprano I	17	5	6	79%
Bass	12	1	6	72%

Adieu, adieu you kind and cruel

Thomas Morley

2:11	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
Tenor I	11	0	1	5	94%
Soprano	9	0	2	6	93%
Alto	10	0	1	5	87%
Practice	13	2	2	6	83%
Bass	12	0	1	6	76%

Magnificat and Nunc Dimittis - Fauxbourdon

Thomas Morley

0:01	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
keyboard	16	7	5	5	97%
	17	0	5	5	89%
Vocals	6	0	2	3	59%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
keyboard	16	7	5	5	97%
	17	0	5	5	89%
Vocals	6	0	2	3	59%

Hard by a Crystal Fountain

Thomas Morley

4:21	Est. Play Time
128	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	4	6	92%
Soprano I	13	0	3	6	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	4	6	92%
Soprano I	13	3	6	88%
Tenor I	14	3	6	87%
Soprano II	13	4	6	83%
Bass	14	2	6	70%
Tenor II	15	4	6	64%

Domine, Dominus noster

Thomas Morley

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	15	0	4	6	93%
Bass 1	14	0	3	6	88%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	15	4	6	93%
Bass 1	14	3	6	88%
Tenor 1	15	4	6	88%
Tenor 2	17	3	6	84%
Bass 2	12	1	5	70%

Stay heart, run not so fast

Thomas Morley

3:19	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	1	6	70%
	12	0	3	6	92%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	6	70%
	12	3	6	92%
Alto	14	3	6	97%
Tenor I	14	2	6	92%
Soprano I	11	2	6	88%
Bass	12	1	6	72%

Come, lovers, follow me

Thomas Morley

2:38	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	3	6	96%
Soprano I	14	0	2	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	3	6	96%
Soprano I	14	2	6	99%
Alto	13	2	6	97%
Tenor	13	1	6	62%

Lady, those cherries plenty

Thomas Morley

2:22	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	1	5	93%
Tenor I	12	0	2	6	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	5	93%
Tenor I	12	2	6	94%
Soprano	10	1	5	83%
Alto	11	2	5	80%
Bass	10	1	5	75%

Round around about a wood

Thomas Morley

2:28	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	2	8	88%
Tenor	13	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	2	8	88%
Tenor	13	1	6	100%
Alto	14	2	8	93%
Soprano I	11	2	8	66%

Arise, awake

Thomas Morley

2:44	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	1	6	85%
Tenor I	11	0	2	5	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	1	6	85%
Tenor I	11	2	5	95%
Alto	10	1	5	88%
Soprano	8	2	7	88%
Bass	13	2	6	79%