Play Along Piano

Uploaders

Thomas Morley

1:40	Est. Play Time
27	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	100%
Soprano	11	2	6	100%
Tenor	11	1	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	100%
Soprano	11	2	6	100%
Tenor	11	1	6	100%

I saw my lovely Phillis

Thomas Morley

3:19	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	3	7	88%
Tenor I	10	0	2	6	99%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	3	7	88%
Tenor I	10	2	6	99%
Alto	14	3	7	98%
Soprano	12	2	7	89%
Bass	11	2	7	83%

Love took his bow and arrow

Thomas Morley

2:45	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	2	6	100%
Bass	11	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	2	6	100%
Bass	11	1	6	100%
Tenor I	12	2	6	100%
Soprano	10	2	6	99%
Alto	12	2	6	96%

Lo, she flies

Thomas Morley

2:24	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	6	97%
Alto	13	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	6	97%
Alto	13	2	6	100%
Soprano I	14	4	6	94%
Tenor	13	3	6	86%
Bass	12	1	6	75%

Clorinda false

Thomas Morley

2:56	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	0	5	6	100%
Soprano	13	0	4	6	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	5	6	100%
Soprano	13	4	6	98%
Tenor	15	5	6	95%
Bass	14	4	6	84%

Die now, my heart

Thomas Morley

3:16	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	17	0	4	6	97%
	16	0	3	6	98%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	17	4	6	97%
	16	3	6	98%
Tenor	13	2	6	96%
Alto	11	2	6	92%
Bass	13	2	6	90%
Soprano	13	3	6	87%

My bonny lass she smileth

Thomas Morley

1:35	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTO II (QUINTUS)	8	0	1	6	100%
TENOR (Tenor)	13	0	2	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTO II (QUINTUS)	8	1	6	100%
TENOR (Tenor)	13	2	5	100%
BASS (BASSUS)	10	1	6	96%
SOPRANO (CANTUS)	10	1	6	92%
ALTO I (ALTUS)	10	1	6	88%

Adieu, adieu you kind and cruel

Thomas Morley

2:11	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
Tenor I	11	0	1	5	94%
Soprano	9	0	2	6	93%
Alto	10	0	1	5	87%
Practice	13	2	2	6	83%
Bass	12	0	1	6	76%

Come, lovers, follow me

Thomas Morley

2:38	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	3	6	96%
Soprano I	14	0	2	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	3	6	96%
Soprano I	14	2	6	99%
Alto	13	2	6	97%
Tenor	13	1	6	62%

Ladies, you see time flieth

Thomas Morley

2:19	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	3	6	72%
	12	0	4	6	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	3	6	72%
	12	4	6	88%
Soprano I	14	4	6	93%
Alto	12	3	6	88%
Tenor	7	0	6	82%
Bass	10	2	6	71%

Round around about a wood

Thomas Morley

2:28	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	2	8	88%
Tenor	13	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	2	8	88%
Tenor	13	1	6	100%
Alto	14	2	8	93%
Soprano I	11	2	8	66%

Said I that Amarillis

Thomas Morley

1:33	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	2	5	95%
Alto	9	0	1	7	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	2	5	95%
Alto	9	1	7	98%
Bass	11	1	5	98%
Tenor I	11	2	5	98%
Soprano	12	4	5	93%

I follow, lo, the footing

Thomas Morley

2:44	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	3	6	95%
Alto	16	0	3	6	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	3	6	95%
Alto	16	3	6	98%
Soprano I	12	3	6	90%
Tenor	11	1	5	88%
Bass	10	0	5	85%

Good Love, then fly thou to her

Thomas Morley

4:20	Est. Play Time
127	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	3	6	74%
	16	0	5	6	80%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	3	6	74%
	16	5	6	80%
Tenor I	17	4	6	87%
Alto	16	5	6	86%
Soprano I	17	5	6	79%
Bass	12	1	6	72%

Lady, those cherries plenty

Thomas Morley

2:22	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	1	5	93%
Tenor I	12	0	2	6	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	5	93%
Tenor I	12	2	6	94%
Soprano	10	1	5	83%
Alto	11	2	5	80%
Bass	10	1	5	75%

Domine, Dominus noster

Thomas Morley

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	15	0	4	6	93%
Bass 1	14	0	3	6	88%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	15	4	6	93%
Bass 1	14	3	6	88%
Tenor 1	15	4	6	88%
Tenor 2	17	3	6	84%
Bass 2	12	1	5	70%

Lady, why grieve you still me

Thomas Morley

2:59	Est. Play Time
76	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	5	6	92%
Alto	14	0	3	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	5	6	92%
Alto	14	3	6	99%
Tenor	12	3	6	96%
Soprano I	14	4	6	96%