Play Along Piano

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Thomas Morley

What saith my dainty darling?

Thomas Morley

1:39	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	0	1	5	96%
Bass	11	0	0	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	1	5	96%
Bass	11	0	6	100%
Alto	10	2	5	96%
Soprano I	9	1	5	96%
Tenor	8	0	5	96%

Love took his bow and arrow

Thomas Morley

2:45	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	2	6	100%
Bass	11	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	2	6	100%
Bass	11	1	6	100%
Tenor I	12	2	6	100%
Soprano	10	2	6	99%
Alto	12	2	6	96%

Lo, she flies

Thomas Morley

2:24	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	6	97%
Alto	13	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	6	97%
Alto	13	2	6	100%
Soprano I	14	4	6	94%
Tenor	13	3	6	86%
Bass	12	1	6	75%

Spring-time mantleth every bough

Thomas Morley

1:40	Est. Play Time
27	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	100%
Soprano	11	2	6	100%
Tenor	11	1	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	100%
Soprano	11	2	6	100%
Tenor	11	1	6	100%

My bonny lass she smileth

Thomas Morley

1:35	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTO II (QUINTUS)	8	0	1	6	100%
TENOR (Tenor)	13	0	2	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTO II (QUINTUS)	8	1	6	100%
TENOR (Tenor)	13	2	5	100%
BASS (BASSUS)	10	1	6	96%
SOPRANO (CANTUS)	10	1	6	92%
ALTO I (ALTUS)	10	1	6	88%

Ay me, the fatal arrow

Thomas Morley

1:16	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	1	5	100%
Alto	9	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	1	5	100%
Alto	9	2	6	100%
Bass	10	2	6	100%
Soprano	9	1	5	100%
Tenor I	10	2	6	100%

Round around about a wood

Thomas Morley

2:28	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	2	8	88%
Tenor	13	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	2	8	88%
Tenor	13	1	6	100%
Alto	14	2	8	93%
Soprano I	11	2	8	66%

Love's folk in green arraying

Thomas Morley

2:14	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	0	5	94%
Tenor	11	0	1	5	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	5	94%
Tenor	11	1	5	96%
Soprano I	12	2	5	94%
Alto	13	1	5	93%
Bass	10	0	5	84%

I follow, lo, the footing

Thomas Morley

2:44	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	3	6	95%
Alto	16	0	3	6	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	3	6	95%
Alto	16	3	6	98%
Soprano I	12	3	6	90%
Tenor	11	1	5	88%
Bass	10	0	5	85%

Said I that Amarillis

Thomas Morley

1:33	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	2	5	95%
Alto	9	0	1	7	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	2	5	95%
Alto	9	1	7	98%
Bass	11	1	5	98%
Tenor I	11	2	5	98%
Soprano	12	4	5	93%

Adieu, adieu you kind and cruel

Thomas Morley

2:11	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
Tenor I	11	0	1	5	94%
Soprano	9	0	2	6	93%
Alto	10	0	1	5	87%
Practice	13	2	2	6	83%
Bass	12	0	1	6	76%

O sleep, fond fancy

Thomas Morley

1:18	Est. Play Time
39	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	6	100%
Soprano II	12	1	6	100%
Bass	10	2	5	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	6	100%
Soprano II	12	1	6	100%
Bass	10	2	5	97%

Damon and Phillis

Thomas Morley

1:26	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	1	6	100%
Tenor I	10	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	1	6	100%
Tenor I	10	1	6	100%
Bass	9	2	6	95%
Alto	8	2	6	91%
Soprano	10	2	6	91%

Why weeps, alas, my lady?

Thomas Morley

2:17	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	0	1	6	87%
Tenor I	10	0	1	6	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	1	6	87%
Tenor I	10	1	6	98%
Alto	8	1	6	90%
Bass	9	1	6	85%
Soprano	8	2	5	82%

This Love is but a wanton fit

Thomas Morley

0:58	Est. Play Time
20	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	8	100%
Soprano I	9	1	7	100%
Tenor	11	1	8	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	8	100%
Soprano I	9	1	7	100%
Tenor	11	1	8	100%

Good Love, then fly thou to her

Thomas Morley

4:20	Est. Play Time
127	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	3	6	74%
	16	0	5	6	80%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	3	6	74%
	16	5	6	80%
Tenor I	17	4	6	87%
Alto	16	5	6	86%
Soprano I	17	5	6	79%
Bass	12	1	6	72%