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Unique Chords: 1-2

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ashmoggs
Bruckner_Anton Symphony No 5 Movement 2 Brs 70 - 127
ashmoggs
1:56 Est. Play
Time
211 Measures
2,272Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violinen
II		 Treble 34 0 14 7 90%
Violen Treble 32 2 16 6 90%
View all 24 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violinen
II		 Treble 34 0 14 7 90%
Violen Treble 32 2 16 6 90%
Violinen
I		 Treble 39 17 16 8 79%
Violoncellos Treble 29 0 12 8 72%
Klarinette
1
in
B		 Treble 24 0 9 7 60%
Kontrabässe Treble 28 0 11 6 56%
Flöte
1		 Treble 23 0 10 8 51%
Oboe
1		 Treble 24 0 10 7 51%
Oboe
2		 Treble 24 0 10 6 44%
Horn
1
in
F		 Treble 21 0 9 6 39%
Klarinette
2
in
B		 Treble 22 0 10 6 39%
Fagott
1		 Treble 18 0 6 8 37%
Flöte
2		 Treble 23 0 10 6 35%
Fagott
2		 Treble 27 0 9 8 33%
Horn
2
in
F		 Treble 20 0 9 5 30%
Horn
3
in
F		 Treble 17 0 5 5 30%
Horn
4
in
F		 Treble 17 0 6 5 23%
Trompete
1
in
F		 Treble 16 0 6 4 21%
Trompete
2
in
F		 Treble 14 0 6 4 18%
Altposaune Treble 13 0 5 4 16%
Tenorposaune Treble 16 0 5 4 16%
Trompete
3
in
F		 Treble 11 0 4 4 14%
Bassposaune Treble 14 0 5 4 12%
Pauken Treble 1 0 0 1 2%
 
Reichard Louise - Zwölf Gesänge No 11. - Daphne am Bach
ashmoggs
0:42 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 17 0 5 100%
Bass 9 1 1 3 94%
Voice Treble 8 0 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 17 0 5 100%
Bass 9 1 1 3 94%
Voice Treble 8 0 0 5 100%
 
Reichardt Louise - Zwölf Gesänge No 11. - An Maria
ashmoggs
0:48 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 4 3 71%
Bass 17 2 0 4 95%
Voice Treble 14 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 0 4 3 71%
Bass 17 2 0 4 95%
Voice Treble 14 0 4 6 100%
 
Reichard Louise - 12 Deutsche und Italiänische Romantische Gesänge No. 1 - Fruhlingslied
ashmoggs
0:42 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 2 2 96%
Bass 12 0 1 2 96%
Voice Treble 10 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 2 2 96%
Bass 12 0 1 2 96%
Voice Treble 10 0 2 5 100%
 
Reichardt Louise - Zwölf Gesänge No 9. - Der Spinnerin Nachtlied
ashmoggs
0:28 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 9 3 2 91%
Bass 7 2 1 4 92%
Voice Treble 8 0 1 3 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 9 3 2 91%
Bass 7 2 1 4 92%
Voice Treble 8 0 1 3 95%
 
Gounot Charles - 6 Mélodies No2 - O Ma Belle Rebelle
ashmoggs
2:11 Est. Play
Time
111 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 6 2 100%
Bass 14 3 2 3 98%
Voice Treble 12 0 4 5 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 1 6 2 100%
Bass 14 3 2 3 98%
Voice Treble 12 0 4 5 86%
 
Reichardt Louise - Zwölf Deutsche und Italiänische Romantische Gesänge No. 10 - Ida aus Ariels Offenberungen
ashmoggs
1:13 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 12 5 2 73%
Bass 20 1 6 4 100%
Voice Treble 17 0 6 6 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 12 5 2 73%
Bass 20 1 6 4 100%
Voice Treble 17 0 6 6 96%
 
Reichardt Louise - Zwölf Gesänge, Op.3 No. 10 - Der Mond
ashmoggs
1:19 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 6 1 2 100%
Bass 8 2 0 3 100%
Voice Treble 6 0 1 3 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 6 1 2 100%
Bass 8 2 0 3 100%
Voice Treble 6 0 1 3 97%