Play Along Piano

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Thomas Morley

Ay me, the fatal arrow

Thomas Morley

1:16	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	1	5	100%
Alto	9	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	1	5	100%
Alto	9	2	6	100%
Bass	10	2	6	100%
Soprano	9	1	5	100%
Tenor I	10	2	6	100%

Come, lovers, follow me

Thomas Morley

2:38	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	3	6	96%
Soprano I	14	0	2	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	3	6	96%
Soprano I	14	2	6	99%
Alto	13	2	6	97%
Tenor	13	1	6	62%

Cruel, wilt thou persever

Thomas Morley

1:28	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	12	0	1	5	100%
	9	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	12	1	5	100%
	9	1	5	100%
Alto	10	2	6	95%
Bass	8	0	6	95%
Soprano	8	3	6	95%

Fly love that art so sprightly

Thomas Morley

1:55	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	0	2	5	93%
Alto	10	0	0	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	2	5	93%
Alto	10	0	5	100%
Bass	13	2	5	97%
Tenor	12	2	5	97%
Soprano I	11	3	6	89%

Lady, those cherries plenty

Thomas Morley

2:22	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	1	5	93%
Tenor I	12	0	2	6	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	5	93%
Tenor I	12	2	6	94%
Soprano	10	1	5	83%
Alto	11	2	5	80%
Bass	10	1	5	75%

My bonny lass she smileth

Thomas Morley

1:35	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTO II (QUINTUS)	8	0	1	6	100%
TENOR (Tenor)	13	0	2	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTO II (QUINTUS)	8	1	6	100%
TENOR (Tenor)	13	2	5	100%
BASS (BASSUS)	10	1	6	96%
SOPRANO (CANTUS)	10	1	6	92%
ALTO I (ALTUS)	10	1	6	88%

Shoot false love, I care not

Thomas Morley

2:00	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	7	0	0	7	100%
Alto	11	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	7	0	7	100%
Alto	11	2	6	100%
Soprano I	10	1	7	100%
Tenor	10	2	6	100%
Bass	11	1	5	90%

Domine, Dominus noster

Thomas Morley

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	15	0	4	6	93%
Bass 1	14	0	3	6	88%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	15	4	6	93%
Bass 1	14	3	6	88%
Tenor 1	15	4	6	88%
Tenor 2	17	3	6	84%
Bass 2	12	1	5	70%

Love took his bow and arrow

Thomas Morley

2:45	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	2	6	100%
Bass	11	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	2	6	100%
Bass	11	1	6	100%
Tenor I	12	2	6	100%
Soprano	10	2	6	99%
Alto	12	2	6	96%

Since my tears and lamenting

Thomas Morley

2:55	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	11	0	3	6	97%
Bass	10	0	1	6	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	11	3	6	97%
Bass	10	1	6	96%
Alto	11	2	6	94%
Soprano	13	4	6	89%

Magnificat and Nunc Dimittis - Fauxbourdon

Thomas Morley

0:01	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
keyboard	16	7	5	5	97%
	17	0	5	5	89%
Vocals	6	0	2	3	59%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
keyboard	16	7	5	5	97%
	17	0	5	5	89%
Vocals	6	0	2	3	59%

Spring-time mantleth every bough

Thomas Morley

1:40	Est. Play Time
27	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	100%
Soprano	11	2	6	100%
Tenor	11	1	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	100%
Soprano	11	2	6	100%
Tenor	11	1	6	100%

This Love is but a wanton fit

Thomas Morley

0:58	Est. Play Time
20	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	8	100%
Soprano I	9	1	7	100%
Tenor	11	1	8	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	4	8	100%
Soprano I	9	1	7	100%
Tenor	11	1	8	100%

Dainty fine sweet nymph

Thomas Morley

1:30	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	0	2	7	100%
Alto	9	0	1	7	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	2	7	100%
Alto	9	1	7	100%
Bass	11	2	7	100%
Soprano I	8	2	7	100%
Tenor	12	2	7	100%

I follow, lo, the footing

Thomas Morley

2:44	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	3	6	95%
Alto	16	0	3	6	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	3	6	95%
Alto	16	3	6	98%
Soprano I	12	3	6	90%
Tenor	11	1	5	88%
Bass	10	0	5	85%

Lo where with flowery head

Thomas Morley

1:28	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	0	6	100%
Alto	8	0	0	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	6	100%
Alto	8	0	6	100%
Bass	8	1	6	100%
Tenor I	11	2	6	100%
Soprano	10	2	6	95%

O sleep, fond fancy

Thomas Morley

1:18	Est. Play Time
39	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	6	100%
Soprano II	12	1	6	100%
Bass	10	2	5	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	6	100%
Soprano II	12	1	6	100%
Bass	10	2	5	97%

Singing alone

Thomas Morley

3:03	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	2	5	95%
Tenor	10	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	2	5	95%
Tenor	10	1	6	100%
Alto I	13	2	5	93%
Bass	12	1	6	93%
Soprano	9	0	5	90%

Thus saith my Galatea

Thomas Morley

1:27	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	1	6	100%
Soprano	11	0	3	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	1	6	100%
Soprano	11	3	6	100%
Tenor I	12	3	6	100%
Alto	10	3	6	95%
Bass	11	1	5	83%

Why weeps, alas, my lady?

Thomas Morley

2:17	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	0	1	6	87%
Tenor I	10	0	1	6	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	1	6	87%
Tenor I	10	1	6	98%
Alto	8	1	6	90%
Bass	9	1	6	85%
Soprano	8	2	5	82%